CDs

  • British record buyers had to wait until 1960 to hear the great American albums of 1959; John Coltrane's debut LP, Charles Mingus's Ah Um and Horace Silver’s Blowin' the Blues Away. On the home front, in December 1959, Tubby Hayes was already absorbing influences from these albums while cutting his latest LP, Tubby's Groove. This 4CD set pits Britain’s finest jazz tracks of 1959-1960 up against the very best music coming out of the States at the same time, showing that British modernists could at last stand tall among jazz music’s giants. Compilation Nick Duckett Includes 24 page booklet and CD inlay. Sleeve Notes Paul ‘Smiler’ Anderson and Simon Spillett RANDB049 …the British choices are more exciting. They include not only some fabulous rarities, but items culled from BBC broadcasts of the time, whose very existence came as a complete surprise to me: Dizzy Reece guesting with the Jazz Couriers, for instance. Even the most demanding mod would have approved. Dave Gelly The Observer Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Disc One 1967
    1. See See Rider (Traditional)
    2. A Love Like Yours (Holland/Dozier/Holland)
    3. Shake Rattle And Roll (Jesse Stone)
    EDF, Beat Club, Bremen, Jan 21st 1967
    1. Tobacco Road (Loudermilk)
    2. Road Runner (McDaniels)
    3. See See Rider (Traditional)
    HR-TV, Beat! Beat! Beat! Offenbach, Jan 29th 1967
    1. All Night Long (The Animals)
    2. We Gotta Get Out Of This Place (Mann/Weill)
    3. Gin House Blues (Traditional)
    4. When I Was Young (The Animals)
    5. House Of The Rising Sun (Traditional)
    Titan Top Radio, Palasport, Bologna June 11th 1967
    1. Good Times (The Animals)
    BBC-TV, Dee Time, London, August 17th 1967
    1. When I Was Young (The Animals)
    2. See See Rider (Traditional)
    3. All Night Long (The Animals)
    4. Tobacco Road (Loudermilk)
    5. So Long (The Animals)
    3DB Radio, Melbourne Festival Hall, April 21st 1967
    1. Story Of The Animals (The Animals)
    BBC-TV Price To Play August 12th 1968
    1. Hey Gyp (Donovan)
    Rock City, Festival Of The Flower Children, Woburn, August 27th 1967
    1. San Franciscan Nights (The Animals)
    2. Gin House Blues (Traditional)
    3. Paint It Black (Jagger/Richards)
    Monterey Pop June 16th 1967 Disc Two 1968  
    1. I’m So Excited (Hooker)
    2. My Life, Baby (The Animals)
    3. Tobacco Road (Loudermilk)
    4. Yes I Have Been Experienced (The Animals)
    5. San Franciscan Nights (The Animals)
    6. Monterey (The Animals)
    7. Paint It Black (Jagger/Richards)
    Radiohuset, Stockholm, January 18th 1968
    1. Every Day I Have The Blues (Peter Chatman)
    2. Tobacco Road (Loudermilk)
    3. Monterey (The Animals)
    4. Paint It Black (Jagger/Richards)
    Rundfunk Berlin-Brandenburg, Berlin Bietet Beat, January 12th 1968
    1. Hey Gyp (Donovan)
    Christmas on Earth Continued, Olympia, London, December 22nd 1967
    1. When I Was Young (The Animals)
    2. House Of The Rising Sun (Traditional)
    3. San Franciscan Nights (The Animals)
    Canadian TV, Let's Go, Vancouver April 12th 1968
    1. When I Was Young (The Animals)
    2. River Deep, Mountain High (Spector/Greenwich/Barry)
    WEWS-TV, Upbeat, Cleveland, November 16th 1968      
      1. My Generation (Pete Townshend)
      19.11.65 London Students Carnival Ball, Empire Pool, Wembley, transmitted ATV 08.12.65
      1. Anyway, Anyhow, Anywhere (Pete Townshend)
      2. Daddy Rolling Stone (Otis Blackwell)
      03.08.65 Shindig (ABC) Twickenham Film Studio, London
      1. Shout & Shimmy (James Brown)
      2. Man With Money (Don & Phil Everly)
      3. My Generation (Pete Townshend)
      05.11.65 Ready Steady Go! Rediffusion Studio 9, London, transmitted live
      1. So Sad About Us (Pete Townshend)
      13.09.66 BBC Saturday Club The Playhouse Theatre, London
      1. Substitute (Pete Townshend)
      2. Man With Money (Don & Phil Everly)
      3. Dancing In The Street (Gaye/Stevenson/Hunter)
      4. Barbara Ann (Fred Fassert)
      5. My Generation (Pete Townshend)
      31.03.66 ORTF Music Hall de France, Paris
      1. So Sad About Us (Pete Townshend)
      2. Happy Jack (Pete Townshend)
      3. My Generation (Pete Townshend)
      02.03.67 Beat Club The Marquee, London
      1. I’m A Boy - fragment (Pete Townshend)
      2. Substitute (Pete Townshend)
      3. My Generation (Pete Townshend)
      18.09.66 Seize Millions Des Jeunes Pier Pavilion, Felixstowe, transmitted 18.10.66
      1. C C Rider (Traditional)
      2. Baby Don’t You Do It (Holland/Dozier/Holland)
      3. My Generation (Pete Townshend)
      4. Substitute - fragment (Pete Townshend)
      09.07.66 Canadian TV CBC Take 30 Westminster Technical College, London, transmitted 06.10.66
      1. Jingle Bells (James Lord Pierpoint)
      17.12.65 Ready Steady Go! Rediffusion Studio 9, London, transmitted 24.12.65
      1. You Rang? (Townshend/Entwistle/Daltrey/Moon)
      15.03.66 BBC Saturday Club The Playhouse Theatre, London, transmitted 19.03.6
  • Aside from the music, one of the richest pleasures to be found here is Nick Duckett’s comprehensive and astute liner notes. It’s in Duckett’s writing almost as much as in the songs themselves, that we truly get a feel for the skill, craftsmanship and musical acumen that characterized the work of Henry Glover. Virtually every song in this compilation is addressed, often with in-depth discussions of how Glover crafted the rhythmic patterns, instrumental voicings and textures, and the multi-genre cross-pollinations and borrowings that made this music come alive…Everyone from hard-core aficionados to more mainstream fans who simply love good R&B and blues from the mid-century golden age to the dawning of rock’n’roll will find this an essential addition to their collection. David Whiteis Living Blues Henry Glover was the first producer/writer in the American music industry, paving the way for a host of illustrious followers such as Phil Spector, Leiber & Stoller and Burt Bacharach. Composer, producer, arranger, publisher, talent scout, vocalist, trumpet player, engineer, A&R executive, and, later, a label owner in his own right, Glover was one of the most talented music industry entrepreneurs of the twentieth century. The fact that he was black and working in an exclusively white executive environment makes his achievements all the more remarkable. Glover’s formative years were spent at Cincinnati-based King Records and the majority of hits on that label during its golden era from 1947 to 1958 were Henry Glover productions. He was equally at home with white and black music. His pioneering work with Moon Mullican and Hawkshaw Hawkins combining blues and country predates Elvis Presley’s Sun recordings by several years. Glover tried his hand at doo-wop and rock’n’roll music, but he found his greatest success in the dance craze era of the early 1960s. In later years, Glover channelled his energies into forming his own record label (he launched the careers of The Hawks, who mutated into The Band, and of Nick Ashford). One of his last productions was Muddy Waters’s swansong The Woodstock Album, which won a Grammy in 1975. This 4CD set contains 125 Henry Glover songs sung by Bill Doggett, Bull Moose Jackson, Champion Jack Dupree, The Checkers, Delmore Brothers, Eddie 'Cleanhead' Vinson, Hank Ballard, Joey Dee, Little Willie John, Lucky Millinder, Lula Reed, Moon Mullican, Roy Brown, Ray Charles, Sonny Thompson, The Swallows, Tiny Bradshaw, Wynonie Harris, The 5 Royales and many more… Includes 28-page booklet RANDB0200 The collection is an absolute cracker. Fred Rothwell - Blues & Rhythm Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). Comes with 28-page booklet. All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.  
    1. Play In
    2. You Are My Sunshine
    3. Satisfaction
    4. Night Life
    5. A Natural Woman
    6. Baby I Love You
    7. Feelgood
    8. Since You've Been Gone
    9. Good To Me As I Am To You
    10. I Never Loved A Man
    11. Chain Of Fools
    12. Soul Serenade
    13. Respect
    14. Play Out
    15. Interview
    May 17, 1968, Swing In, WDR Studio Cologne Aretha Franklin, piano, vocal; Backing Vocals: Carolyn Franklin, Wyline Ivy, Charnessa Jones Baritone Saxophone: David Squire Trumpet: Donald Townes (conductor), Russell Conway, Ron Jackson, Little John Wilson Trombone: Rene Pitts Tenor Saxophone: Donald Waldon, Miller Brisker Piano: Gary Illingworth Guitar: Jerry Weaver Bass Guitar: Rodderick Hicks, Drums: George Davidson
  • Disc One British Jazz
    1. Ronnie Scott Sextet    Pittsburgh Opener
    2. Dave Lee Trio   Salt Air
    3. Johnny Keating All Stars        Headin' North
    4. Tubby Hayes/Victor Feldman Sextet      Four
    5. Kenny Baker's Half Dozen     Act One Scene One
    6. Derek Smith    Chelsea Bridge
    7. Don Rendell Jazz Six  Star Eyes
    8. Vic Ash Plus Four            Cinders
    9. Dizzy Reece Quintet   On The Scene
    10. Tony Kinsey Quintet   Just Goofin'
    11. Jimmy Deuchar Sextet            Opus De Funk
    12. The Jazz Couriers        Cheek To Cheek
    13. Dick Heckstall-Smith Quintet     Sputnik
    14. Johnny Dankworth     Firth Of Fourths
    15. Kenny Graham's Afro Cubists            Monkey Business
    16. Melody Maker's All-Stars       Top Score
    Disc Two Jazz U.S.A
    1. Wes Montgomery        Finger Pickin'
    2. Milt Jackson       The Spirit-Feel
    3. Carl Perkins Trio         Too Close For Comfort
    4. Miles Davis     Générique
    5. Horace Silver Quintet Safari
    6. Art Blakey Percussion Ensemble        Cubano Chant
    7. Mose Allison   New Ground
    8. Ray Charles & Milt Jackson   Blue Funk
    9. Jimmy Smith Trio        Buns A Plenty
    10. Lorez Alexandria        Baltimore Oriole
    11. Charles Mingus           Celia
    12. Art Pepper       You'd Be So Nice To Come Home To
    13. Barney Kessel On Green Dolphin Street
    14. Thad Jones      Mad Thad
    15. Jimmy Giuffre 3          The Train And The River
    16. John Coltrane Sextet   Blue Train
     
    1. Stompin’ At The Savoy
    2. But Not For Me
    3. Ow!
    4. Autumn In New York
    5. Treble Gold
    6. Lifeline
    7. Sonny Sounds
    8. Tour De Force
    9. Design for Drums
    Personnel: Les Condon, Stuart Hamer (trumpets); Alan Branscombe (alto sax); Tubby Hayes, Ronnie Scott (tenor sax, baritone sax); Terry Shannon (piano); Jeff Clyne (bass); Bill Eyden (drums) Add Dickie Hawdon (trumpet) track 3; Jackie Sharpe (baritone sax) track 7; Ken Wray (valve trombone) track 8 Arrangements by Jimmy Deuchar, Victor Feldman and Tubby Hayes Recorded by Bix Curtis at The Flamingo, Wardour Street, London, Sunday December 21st 1958
  • Out of stock
    Pianist Michael Garrick was among the most boldly ambitious British jazz figures of the late-1960s, tirelessly pioneering various new fusions uniting his first love – straight-ahead jazz – with Indian music, liturgy and poetry. Featuring two previously unreleased sessions taped in 1967 and 1969, this album charts the course of his music from post-bop convention towards an indisputably ‘English’ jazz sound. Containing provocative live versions of several well-known Garrick compositions and an all-star cast, it truly captures the era in which UK jazz began to loosen its collar and let down its hair. RANDB076 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). Comes with original printed CD inner plus booklet annotated by Simon Spillett. All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • London’s nightclubs have been shaking to the rockin’ sounds of jive, blues and rock’n’roll for the past fifty years and to celebrate this fact, here is aa selection of tracks as part of the Rumba Blues series, that have been getting the cats on the dance floor at Soho’s Hidden Charms nights. The disc is full of Latin beats with rumbas, boleros and tumbaos to the fore. The New Orleans inverted son clave features on four tracks and there’s a bit of jazz and blues to spice things up. The guys dubbed the tracks direct from disc as they were all currently unavailable on CD at time of writing. So if you were there or wish you’d been there, here’s your chance to listen to some rediscovered hidden charms at home! RANDB027
  •  Disc 1  Disc 2
    Joe S. Maxey Right On! Monk Higgins Ain't That Hateful
    Clarence Gatemouth Brown Summertime The Soul Runners Grits 'n' Corn Bread
    Beverly Pitts Just Some Soul Righteous Brothers Band Green Onions
    Perry & The Harmonics James Goes To Soulville Kase Trio Shug
    Hank Marr Marr's Groove Mark III Trio ‎Blues For Elmer
    Lorenzo Holden The Wig The Pop-Ups Lurking
    The Limas Big Limas World Famous Upsetters Cabbage Greens
    Oliver Sain Jerk Loose Little Sonny The Mix Up
    Johnny Hammond Smith The Golden Thrush Watts 103rd Street Charley
    Junior Parker These Kind Of Blues (Pt. 2) Hank Marr White House Party
    Boss Sounds In The Midnight Hour The Triumphs Turn Out The Light
    Mark III Trio Good Grease Jamo Thomas Jamo's Soul
    Dino & The Dell-Tones Slapstick James Rivers Tighten Up
    Bash Brannigan Hunky Funky Four Gents Soul Sister
    The Blendells Get Your Baby The Premiers Get Your Baby
    The Corky Wilkie Band Something Swinging The Registers No Deposit No Return
    Leon & The Burners Whiplash Tom Douglas Haulin'
    Chuck Rowan Jerk Walk Merle Saunders Soul Roach
    Booker T & The MG's Bootleg/Green Onions Medley The Buena Vistas Hot Shot
    Merle Saunders How's That Rudy Robinson The Mustang
    The Nu-Trons Beat George Semper ‎Collard Greens
    The Dukeys Sho-Nuf M.F. The Four Steps Same Old Beat
    Gaynel Hodge Follow the Fox Ramsey Lewis Trio Hang On, Sloopy
    E Rodney Jones R&B Time (Pt. 2) John Adams I Will Love You
    Johnny Talbot Never Make Your Baby Cry Ric-Tic House Band Agent Double-O-Soul
    Dave Bartholomew Wishbone Charlie Earland Yes-Suh!
    Leon & The Burners Crack Up Leon Haywood Soul On
    The Wild Child Down In The Chile World Famous Upsetters KP
    Sammie John Boss Bag Gentleman June Gardner Last Night
    Harold Battiste Jr How We Do It In New Orleans Eddie Bishop Call Me
  • Sale!
    1. Sunday Lunch
    2. Off The Wagon
    3. Inner Urge
    4. You Don’t Know What Love Is
    5. Le Roi
    BBC Paris Theatre, London, June 11th 1967
    1. The Whims of Chambers
    2. Le Roi
    3. My Ship
    4. Inner Urge
    5. No Room For Squares
    6. You Don’t Know What Love Is
    7. Don’t Fall Off The Bridge
    BBC Playhouse Theatre, London, October 18th 1967 Dick Morrissey (tenor saxophone); Harry South (piano); Phil Bates (bass): Bill Eyden (drums) Introduced by Humphrey Lyttelton Includes rear inlay and original printed booklet. Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    DISC ONE
    1. Edgar Hayes Fat Meat 'n' Greens
    2. Professor Longhair Tipitina
    3. Chris Powell Mambo Gunch
    4. Mose Allison The Seventh Son
    5. Ahmad Jamal Trio Poinciana
    6. Bill Doggett Hold It
    7. Ernie Freeman Live It Up
    8. Earl King Come On (Pts 1 & 2)
    9. Drits & Dravy Talk That Talk (Pt. 1)
    10. Ike & Tina Turner I Idolize You
    11. Jack McDuff Brother Jack
    12. James Brown And I Do Just What I Want
    13. Roy Montrell Mudd
    14. Sugar Pie DeSanto Can't Let You Go
    15. Al Robinson I'm Leaving You Today
    16. Earl King Trick Bag
    17. Eddie Bo Check Mr. Popeye
    18. The Isley Brothers Teach Me How To Shimmy
    19. Gino Parks Fire
    20. Joe 'Guitar' Morris The Git Back (Pt. 1)
    21. Prince La La She Put The Hurt On Me
    22. Stanley Turrentine Baia
    23. Fabulous Playboys Honkey Tonk Woman
    24. Vernon Harrel Slick Chick
    DISC TWO
    1. James Brown Mashed Potatoes U.S.A.
    2. Billy Stewart Fat Boy
    3. Jimmy Pace Stop My Heart From Crying
    4. Lee Dorsey People Gonna Talk
    5. Ernie K-Doe I Got To Find Somebody
    6. Marvin Gaye Hitch Hike
    7. Pistol Keep On Lovin' You
    8. Porgy & The Polka Dots Say Yeah
    9. Ray Johnson Soul City
    10. Shirley Raymond What a Wedding Day
    11. Fred Lowery Goodbye
    12. Spider Johnson Doin' The Popeye
    13. Huey 'Piano' Smith Talk To Me Baby
    14. Dolores Johnson What Kind Of Man Are You
    15. Turquinettes Tell Me The Truth
    16. Bob Bateman R B Special
    17. James Booker Big Nick
    18. Wallace Johnson Clap Your Hands
    19. Roosevelt Fountain Red Pepper (Pts 1 & 2)
    20. C. Davis Coolin' Out
    21. David Rockingham Trio Joy De Vie
    22. Bobby Mitchell You Got The Nerve
    23. James Brown I've Got Money
    Includes rear inlay and original printed booklet. Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Disc One Commonwealth Jazz Orchestra August 30th 1965
    1. Change Of Setting
    2. Blues For Pipkins
    3. Double Stopper
    4. The Song Is You
    5. Whisper Not
    6. 100% Proof
    7. Blame It On My Youth
    8. Wives and Lovers
    9. I Never Know When To Say When
    10. What’s Blue?
    Disc Two Tubby Hayes Quartet January 25th 1965
    1. Mini Minor
    2. Con Alma
    3. Sometime Ago
    4. Souriya
    5. So What
    July 12th 1965* (low fidelity recording)
    1. Change Of Setting
    2. Alone Together
    3. Sometime Ago
    4. Spring Can Really Hang You Up The Most
    5. Don’t Fall Off The Bridge
       
  • Sale!
    1. Sweet and Lovely
    2. Sweet Lotus Blossom
    3. You Are My Heart’s Delight
    Ronnie Scott (ts); Stan Tracey (p); Rick Laird (b); Ronnie Stephenson (d) BBC Jazz Club, London, February 8th 1965  
    1. Close Your Eyes
    2. Waltz for Debby*
    3. Music That Makes Me Dance/When She Makes Music*
    4. The Night Is Young
    5. I’ll Be Seeing You
    Ronnie Scott (ts); Stan Tracey (p); Freddy Logan (b); Bill Eyden (d); Mark Murphy (vocal*) BBC Jazz Club, London, April 17th 1966  
    1. Close Your Eyes
    2. What’s New?
    3. Avalon
    Ronnie Scott (ts); Stan Tracey (p); Malcolm Cecil (b); Jackie Dougan (d) Free Trade Hall, Manchester, June 6th 1964  
  • Sale!
    Manchester Free Trade Hall was host to two concerts on Sunday October 21st 1962 that acted as a catalyst to the nascent British Blues & R&B boom, on the verge of breaking out of its suburban home in Ealing, West London. The shows were promoted by Stockport-based Paddy MacKiernan under the Jazz Unlimited banner and attracted a crowd of around two thousand enthusiasts, who saw the first major concert in Britain to feature American bluesmen. Manchester was the only UK date on the 1962 American Folk-Blues Festival tour and it was attended by blues fans from all over the country through what Paul Jones called ‘the bush telegraph’. With Jones were Alexis Korner and Macclesfield-born John Mayall, plus extraordinarily a contingent of younger fans who had made the trip in a clapped out van from London. Why extraordinary? Because the van contained some of the future superstars of the British scene: Mick Jagger, Keith Richards, Brian Jones and Jimmy Page. The Stones by this time had just a dozen gigs under their belts and Page had recently embarked on the first stage of his career as a session guitarist. David Williams dedicates a whole chapter to the road trip in his book The First Time We Met The Blues. “It must have been around early September 1962 when news filtered down the grapevine…We could hardly believe that real blues artists were going to appear here in our country…were regarded somewhat like mystic gods within our circle…(Jimmy Page) realised that he would not be able to make the journey with us as he was already booked to play a gig with Neil Christian on the Saturday night…it was agreed Jim would travel up by train on the Sunday and we would find space for him in the van for the journey back overnight…Graham (Ackers) was a pretty good driver and soon managed to find his way through Central London to a square ...where we picked up Mick, Keith and Brian.” Keith Richards remembers it differently, “Mick sometimes had the use of his parents’ Triumph Herald at the weekend and I remember we went to see a big blues show in Manchester.” Jimmy Page: “When David Williams told me of the impending visit of the initial American Folk-Blues Festival to England, I was keen to join the pilgrimage to Manchester. It was not only the first time that I would actually see artists like John Lee Hooker and T-Bone Walker perform, but it was also the first time I met Mick Jagger, Brian Jones and Keith Richards, who came with us on the trip. We were all like-minded enthusiasts and in those days we regarded the artists we were going to see as idols.” ABC TV filmed the second show and broadcast it in two parts for its Tempo programme. The recordings (from the Newby collection) are of excellent sound quality and were taken off air by direct line into a Tandberg reel to reel recorder. RANDB059 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Johnny Burch is probably best-known for songs he wrote in 1963 for Georgie Fame such as “In The Meantime” and “Preach and Teach”. This was at a time when the boundaries between modern jazz, rhythm and blues and beat music were being broken down at such places as the Flamingo and the Marquee. For a few months, Burch was leader of a group that included several musicians who found fame in the blues and rock scene of the late 60s such as Graham Bond, Dick Heckstall-Smith, Jack Bruce and Ginger Baker. This CD features the earliest-known recordings of Bruce and Baker together in a live broadcast for the BBC from March 1963. It also contains five tracks from a session that Burch’s 1965 line-up recorded for BBC’s Band Beat. Burch was never a major figure in the London jazz scene but this collection highlights his group’s unique role which acted as a bridge between modern jazz and the nascent British R&B movement. RANDB055 Overall, an amazing collection of pieces, many obscure, some best described as period pieces but much to enjoy. Peter Vacher Jazzrag When one thinks of bassist Jack Bruce and drummer Ginger Baker, the name of Eric Clapton immediately comes to mind since the three masterful musicians formed Cream. However the first time that Bruce and Baker played together was not in a rock group but back in 1963 as members of the Johnny Burch Octet.     Pianist Johnny Burch (1932-2006) was part of the British jazz scene starting in 1959. After a period as a member of Allan Ganley’s Jazzmakers and with Don Rendell’s group, he evolved to become a leader in modern jazz without achieving much fame. He did get to accompany such visiting American greats as Freddie Hubbard, Red Rodney and Rahsaan Roland Kirk, and wrote a few songs for the popular singer Georgie Fame. Jazzbeat has Burch at the head of two different octets, playing live in 1963 and 1965. These seven selections have so-so recording quality but are full of plenty of excitement with the numbers including “Moanin’,” “Del Sasser,” and Burch’s “Nightwalk.” On both broadcasts, the playing is top-notch and at the level of their American counterparts. The music is very much in the modern mainstream of the mid-1960s, forward-looking while never hinting at the music of Cream. Scott Yanow Los Angeles Jazz Scene Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). Comes with original printed CD inner plus booklet annotated by Simon Spillett. All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.  
  • Out of stock
    ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB030
  • Disc One 1. Speak Your Piece March 3rd 1965 Hoochie Coochie Men 2. I’m On To You Baby March 3rd 1965 Hoochie Coochie Men 3. Turn On Your Lovelight March 3rd 1965 Hoochie Coochie Men 4. Bright Lights, Big City February 28th 1964 Hoochie Coochie Men 5. The 2.19 February 28th 1964 Hoochie Coochie Men 6. Mojo Working February 28th 1964 Ensemble 7. You're Breaking My Heart March 19th 1964 Long John Baldry/Blue Flames 8. Medley April 28th 1964 Long John Baldry/ Vernon Girls 9. Backwater Blues Early 1965 Hoochie Coochie Men 10. St. James Infirmary Early 1965 Hoochie Coochie Men 11. Time's Getting Tougher Than Tough Early 1965 Hoochie Coochie Men 12. Speak Your Piece Early 1965 Hoochie Coochie Men 13. Five Long Years Early 1965 Hoochie Coochie Men 14. Gee Baby, Ain't I Good To You Early 1965 Hoochie Coochie Men 15. Stormy Monday Early 1965 Hoochie Coochie Men 16. (We're Gonna) Jump For Joy August 8th 1965 Ensemble with Eric Burdon 17. Lord, Remember Me August 8th 1965 Steampacket 18. It’s All Right September 28th 1965 Steampacket 19. How Long Will It Last September 28th 1965 Steampacket 20. In The Midnight Hour September 28th 1965 Steampacket 21. Going To A Go Go June 7th 1966 Steampacket 22. The Drifter June 7th 1966 Steampacket 23. Everything's Gonna Be Alright June 7th 1966 Steampacket 24. I Didn't Want to Have to Do It June 7th 1966 Steampacket Disc Two 1. Filthy McNasty Early 1965 Hoochie Coochie Men 2. Sunset Eyes Early 1965 Hoochie Coochie Men 3. She’s A Woman June 7th 1966 Brian Auger & The Trinity 4. Cuckoo January 1967 Long John Baldry/Bluesology 5. Turn On Your Lovelight January 1967 Long John Baldry/Bluesology 6. Morning Dew November 1967 Long John Baldry/Bluesology 7. Let The Heartaches Begin November 1967 Long John Baldry/Bluesology 8. Bad Luck Soul November 1967 Long John Baldry/Bluesology 9. How Sweet It Is November 1967 Long John Baldry/Bluesology 10. Mexico May 1968 Long John Baldry/Bluesology 11. Morning Of The Carnival May 1968 Long John Baldry/Bluesology 12. Janine May 1968 Long John Baldry/Bluesology 13. Better By Far August 1968 Long John Baldry/Bluesology 14. When The Sun Comes Shining Thru’ August 1968 Long John Baldry/Bluesology 15. The Drifter August 1968 Long John Baldry/Bluesology 16. Call It Stormy Monday Unknown Long John Baldry/Bluesology 17. I Can't Stand It June 5th 1965 Brian Auger & The Trinity 18. Fool Killer June 5th 1965 Brian Auger & The Trinity 19. Just Got Some Unknown Brian Auger & The Trinity 20. Rock Candy Unknown Brian Auger & The Trinity 21. Let's Do It Tonight June 5th 1965 Brian Auger & The Trinity 22. Loop De Loop June 5th 1965 Brian Auger & The Trinity
  • 1. My Babe (1) 2. Got My Mojo Working (1) 3. Leave My Woman Alone 4. Good Understanding 5. Country Line Special (1) 6. Got My Mojo Working (2) 7. Hallelujah All My Blues Have Gone 8. Roll 'Em Pete (1) 9. How Long, How Long 10. Sadness Done Come 11. See See Rider (1) 12. Country Line Special (2) 13. Careless Love 14. On A Monday 15. I'm Movin' On 16. Mockingbird 17. Night Time Is The Right Time 18. Harmonica Breakdown 19. Preaching the Blues 20. I'm Ready 21. Money's Getting Cheaper 22. Country Line Special (3) 23. My Babe (2) 24. Chicago Calling 25. See See Rider (2) 26. Country Line Special (4) 27. Hey Roberta 28. Roll 'em Pete (2) Tracks 22-23 recorded 1/8/1963 BBC Manchester as part of the Pop Go The Beatles show. Tracks 24-28 recorded 2/7/1963 BBC London. All other tracks were recorded for ATV TV Show Hullabaloo. (The widely published broadcast dates for these shows are unreliable.) Sound quality: Hullabaloo – excellent, BBC Manchester – very good, BBC London – listenable.
  • In 1965, there were two types of group in the UK: those influenced strongly by the Beatles, and those whose raison d'être was American blues and R&B. In part this split would have come about because of the pioneering blues work from Alexis Korner and Cyril Davies, who were both London based. Newcastle’s Animals and Belfast’s Them were the two biggest exceptions. Among the highlights of this CD set are the Animals’ contributions to a Granada TV show “Whole Lotta Shakin’ Goin’ On”. Check out the clip on the net - the camera sweeps across and Eric kicks into the a cappella intro to “Talkin’ ‘Bout You” supported only by hand clapping; there’s a flourish from Alan Price’s Vox and they’re off. Elsewhere the boys conjure up images of people like Pinetop Perkins via Ray Charles’ early classic “Mess Around”; they give us their take on the much recorded “See See Rider” which doesn’t owe a debt to anyone; and they deliver a swinging ”I Got To Find My Baby” with plenty of ad hoc extras from Eric. Several of those great hit singles (plus a flip plus some LP tracks) are here too, all benefitting from full “road testing”; Hooker’s “Boom Boom” is a stand -out with mood switching between intimacy and all out rocking. Round about the time the Animals‘ first single was released, I saw the band perform in one of those Central London clubs you have to go downstairs to reach. They were the toughest of the British R&B Groups. They were the real thing. Dave Stephens RANDB057 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered. 24-page booklet included
  • CD1 1. Unknown Title 2. Give Me That Old Time Perversion 3. You Can Be Happy 4. Judy’s Smile 5. Questions And Answers CD2 1. Themeless Improvisation 2. Chant 3. Little Red Head 4. Day of Reckoning 5. Judy’s Smile 6. Unknown Title 7. Bruce’s Departure 8. Peaceful Farewell  
  • Out of stock
    1. Big City Strut (Ian Carr)
    2. Trane's Mood (Michael Garrick)
    3. I Could Write A Book (Rodgers/Hart)
    4. Interplay (Bill Evans)
    5. She'll Be Back (Michael Garrick)
    6. Garrison '65 (Don Rendell)
    Relayed live from the Playhouse Theatre, London Jazz Club BBC Light programme, 19th April 1965  
    1. Hot Rod (Carr/Garrick)
    2. Ursula (Michael Garrick)
    3. Tan Samfu (Don Rendell)
    4. Sailin’* (Mike Carr)
    5. October Woman (Michael Garrick)
    6. The Sixth Seal* (Michael Garrick)
    *featuring Mike Carr (vib) Relayed live from the Playhouse Theatre, London Jazz Club BBC Light programme, 25th October 1965
    1. Nimjam (Jeff Headley)
    2. Prayer (Michael Garrick)
    3. Secrets (Michael Garrick)
    4. Ruth (Don Rendell)
    5. Blue Doom (Rendell/Carr)
    Jazz Club BBC Light programme, 9th January 1966
    1. Around And Around
    2. Off The Hook
    3. Time Is On My Side
    4. It's All Over Now
    5. I'm Alright
    6. Let's Get Together
    7. Carol
    8. Not Fade Away
    9. Carol
    10. Mona
    11. Not Fade Away
    12. High Heel Sneakers
    13. I Just Want To Make Love To You
    14. Ad Break – Rice Krispies
    15. I Wanna Be Your Man
    16. You Better Move On
    17. Roll Over Beethoven
    18. Beautiful Delilah
    19. Around And Around
    20. Time Is on My Side
    21. Not Fade Away
    22. I Just Want To Make Love To You
    23. I'm Alright
    24. I Just Want To Make Love To You
    25. Not Fade Away
    26. Not Fade Away (take 1)
    27. Beautiful Delilah
    28. Walking The Dog
    29. High Heel Sneakers
    30. Susie Q
    31. Mona
    32. High Heel Sneakers/Not Fade Away
    33. I'm Movin' On
  • Out of stock

    In a comprehensive overview from 1927 to 1963, History of Soul Records’ 8CD anthology covers the genesis of soul music, tracing connections between R&B, jazz and blues, and gospel, the secular and the sacred. As popular black musical genres were adopted by white teenage audiences in the 1950s, black music reverted to more authentic, basic styles. By 1960, the sound of black popular music had turned away from a driving, largely uptempo rhythm and blues towards a more emotionally poignant style. The term ‘soul’ popped up here and there, but only became common parlance after the release of Ray Charles’s I Believe To My Soul at the end of 1959.

    The growing Civil Rights movement, the rise of the 45rpm record and the introduction of the electric guitar all played their part in the creation of a new sound. Detroit had Berry Gordy’s Motown, Chicago had Curtis Mayfield and the Impressions and New York had Atlantic Records along with white songwriters Burt Bacharach and Jerry Ragavoy producing their uptown soul. Down south, Stax was setting Memphis alight, Fame were starting up in Muscle Shoals, and New Orleans was putting funk into the mix. By 1963, soul had gone mainstream. There were more soulful records in the charts in 1962 alone than there had been in the whole of the 1950s.

    This collection of breathtaking blues and spiritual music brings you some of the most impassioned, compelling vocal performances ever to be recorded. The accompanying illustrated 36-page book sets out the historical background and explains some of the technical features that make these beautiful songs the precursors of soul music.

    WHAT THE CRITICS SAY

    This one is a corker...every bit as epic as it sounds... It’s hard to know where to begin with such a monumental and thorough anthology – especially one as full of highlights as this

    Lauren Laverne BBC 6 Music

    Mammoth and magnificent anthology...While there can be no package large enough to represent all the players, Sacred To Secular has a worthy stab at it, excavating as close as possible to the core and acting both as a cultural document and an excellent crash course in one of music’s most epochal periods. Fiona Sturges Uncut

    Embrace this journey through a lost era...the real thrill lies in discovering lesser names especially from the fringes of gospel, whose work is every bit as stirring Clive Davies Sunday Times 

    It’s common knowledge that soul developed largely from gospel; but that journey has never been as extensively mapped as on this eight-CD compilation 5 star review in The Independent

    SOUL021
    1. Blues For Sue (Unknown)
    2. Regrets (Pat Smythe)
    3. Down On The Nile (Unknown)
    4. Silver Serenade (Silver)
    5. Step Lightly (Golson)
    6. Blues For Three (Unknown)
    IT’S JAZZ b/c February 22, 1965, recorded February 4, - Colin Purbrook for Michael Garrick
    1. Blues Row (Howard Riley)
    2. Rendell Introduction 1
    3. Spooks (Rendell/Carr/Green)
    4. Rendell Introduction 2
    5. Hot Rod (Carr/Garrick)
    6. Rendell Introduction 3
    7. Jubal (Rendell)
    8. Rendell Introduction 4
    9. Dusk Fire (Garrick)
    JAZZ CLUB (Jazz Scene) b/c April 3, 1966, recorded March 29, - Jeff Clyne for Dave Green
    1. Birdwalk (Rendell)
    2. Lyttelton Introduction 1
    3. Webster's Mood (Garrick)
    4. Lyttelton Introduction 2
    5. Tootin' and Flutin' (Rendell)
    6. Lyttelton Introduction 3
    7. The Snows Of Yesteryear (Carr)
    8. Torrent (Garrick)
    JAZZ CLUB (Jazz Scene) b/c July 10, 1966 recorded July 4, 1966  
  • Sale!
    Link Wray’s Rumble and Bill Doggett’s Hold It are the only two big hits included on this collection, which puts a deserved spotlight on both long-forgotten records by established artists and on fabulous obscurities by long-forgotten artists. But rest assured, this is a cracking compilation from start to finish, with Southern swamp rock, spicy New Orleans rhythms and Northern city blues. Guitar and sax-led rockers, slinky organ stompers, Latin groovers – all in all, 60 mighty instrumental stompers from 1958, R&B-style. RANDB045 …cracking albums of often rare bluesy instrumentals…sexy, saxy and groovy keyboards aplenty! These fantastic sets are definitely full fat! Brilliant and what value! Dave Peckett Gandy Dancer
  • Sale!
    Disc One Hamburg February 28th 1964   1.      Night Talk 2.      Monkey Business 3.      Caber Dance 4.      Lady Day 5.      Wigmore Walk 6.      Honky Tonk 7.      Morning Theories 8.      Yardsticks 9.      Blue Trident 10.  Times Two-and-a-Half 11.  Come Rain or Come Shine 12.  So What 13.  Pastorale d'Hiver 14.  Where's the Fire? 15.  Rustic Gait     Disc Two BBC Sessions 1963-64   1.      Night Talk 2.      It Don't Mean A Thing 3.      Times Two-and-a-Half 4.      Come Rain Or Come Shine 5.      Progressive Gavotte 6.      Rustic Gait 7.      Times Two-and-a-Half 8.      Night Talk 9.      New Orleans* 10.  Improvisation on a Twelve Tone Scale* 11.  Milestones* 12.  Interview* 13.  Honky Tonk* 14.  Three 15.  Clarion 16.  Minky   *tracks 9 – 13 low fidelity recording  
    1. Idioms
    2. Thomas
    3. Here's That Rainy Day
    4. Sub Cruise
    5. The Rake
    6. Spiritual Blues
    7. Merlin The Wizard
    8. Nardis
    9. Portrait Of A Young Lady
    10. Polka Dots & Moonbeams
    11. Blue 'n' Boogie
    12. Moanin'
    13. Round About Midnight
    14. Coda
    15. Tempo
    16. Calypso Sketches
    17. Count Twelve
    TRACKS 1 - 6 - Joe Harriott (as), Shake Keane (tp), Pat Smythe (p), Coleridge Goode (b), Bobby Orr (d). November 21st, 1964 TRACKS 7 - 11 - Joe Harriott (as), Ian Carr (tp), Michael Garrick (p), Coleridge Goode (b), Alan Green (d). January 2nd, 1966 TRACKS 12 - 17 - Joe Harriott (as), Les Condon (tp), Pat Smythe (p), Coleridge Goode (b), Phil Seamen (d). January 27th, 1961
  • Sale!
    CD One 1.     The Last Time 2.     Mercy Mercy 3.     She Said Yeah 4.     Play With Fire 5.     Not Fade Away 6.     That’s How Strong My Love Is 7.     Get Off Of My Cloud 8.     (I Can't Get No) Satisfaction 9.     (I Can't Get No) Satisfaction 10.   As Tears Go By 11.   19th Nervous Breakdown 12.   Not Fade Away 13.   The Last Time 14.   Paint It Black 15.   Lady Jane 16.   Mother’s Little Helper 17.   Get Off Of My Cloud 18.   19th Nervous Breakdown 19.   (I Can't Get No) Satisfaction 20.   Paint It Black 21.   Lady Jane 22.   Have You Seen You Mother Baby 23.   19th Nervous Breakdown* 24.   Eamonn Andrews Interview*   CD Two 1.     I Am Waiting 2.     Under My Thumb 3.     Paint It Black 4.     The Last Time 5.     19th Nervous Breakdown 6.     Get Off Of My Cloud 7.     (I Can't Get No) Satisfaction 8.     Mercy, Mercy 9.     She Said Yeah 10.   Play With Fire 11.   The Spider And The Fly 12.   Time Is On My Side 13.   I'm Alright 14.   Around And Around* 15.   I'm Movin' On* 16.   Mercy Mercy* 17.   She Said Yeah* 18.   Play With Fire* 19.   Not Fade Away* 20.   The Spider And The Fly* 21.   That’s How Strong My Love Is* 22.   Get Off Of My Cloud* 23.   19th Nervous Breakdown* 24.   (I Can’t Get No) Satisfaction* 25.   Sydney Interview* 26.   Have You Seen Your Mother Baby* Recording quality throughout is excellent apart from tracks marked* which are direct off air  
  • Sale!
    Country blues and club blues; drinking songs and risqué songs; vocal groups and instrumental combos. From bebop to boogie, gutbucket to gospel, honkin’ and screamin’ to low down and dirty rock’n’roll; 112 tracks and not a dud in the bunch! RANDB078 4CD
  • Sale!
    1962 was the peak year for hit records instrumental-style, with no less than 123 discs scoring on the American pop charts. There wasn’t much in the hit parade to interest R&B fans though, apart from King Curtis’s Soul Twist, Booker T. & The MG's Green Onions and James Brown’s Night Train, but that’s where Mighty Instrumentals R&B-Style 1962 comes in. So what was new in 1962? A bit of surf, a bit of funk, a brand new rhythm on Boogie Twist. More slinky organ groovers, uptown dancers and late night smoochers for teenagers to dance to. And there you have it – 58 R&B scorchers with rhythm aplenty. RANDB044 These albums are full of big, fat chugging and swinging bluesy numbers…With their excellent sound and at such good value for money these CDs will delight fans of the genre. Alan Taylor Pipeline  
  • Sale!
    1966-1967. Two years of seismic change in UK history, a time of World Cup wins, of psychedelic 'happenings' and Sgt. Pepper, when London's streets rocked to the sight of mini skirts and Mini Coopers and home-made British pop culture - drawing in everything from satire to sitars - really did look likely to change the world. British jazz was growing too. Having defined itself through the razor-sharp cool of 'modernism', by '66 it was ready to loosen its collar and let its hair down, feeding directly from an anarchic new breed of young musicians able to move between styles as never before, allowing everything from the avant-garde to R&B colour their work. London was now swinging in every direction, like some vast kaleidoscopic merry-go-round. This, then, is the story of those British jazzmen who came along for the ride, some clinging on with white-knuckles and gritted teeth, others enjoying the trip of their lives. Booklet notes by Simon Spillett RANDB062 The set is magnificent… serves as a wonderful bridge spanning the Atlantic, pulling the two jazz cultures together. The Brit-jazz tracks in '66 are sensational. One after the next is rich with energy, power and guile as groups such as the Michael Garrick Sextet, the Stan Tracey Quartet, the Don Rendell/Ian Carr Quintet and Gordon Beck Trio tear neatly into originals. The American tracks from the same year are largely little-known jazz-funk and soul-jazz pieces. The set is smartly curated... All have locked-in grooves and are tasty. The 1967 material is even stronger…And yes, every single track is outrageously excellent. There's no filler here. And the sound is very good. I'll be listening to this set several additional times between now and the end of the weekend. Once again, a superb job by R&B Records. Hats off to the set's producer/editor. Great choices all. Mark Myers Jazz Wax Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). Comes with original printed CD inlays plus booklet annotated by Simon Spillett. All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.  
  • Sale!
    Following the success of Alan Freed’s Rock’n’Roll Revues in 1953 and 1954, record companies ramped up the number of rhythm and blues releases (or rock’n’roll as it had now become known) to satisfy increased demand among white American teenagers. Instrumental records were just perfect for getting the kids up on the dance floor, be they hard-rocking guitar and sax-led numbers, slinky organ smoochers, or Mambo groovers. This 2CD set contains the sixty finest and most exciting R&B instrumentals recorded in 1954. Including label shots and annotated notes RANDB088 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.  
  • Sale!
    We bring you 60 mighty instrumental stompers from 1955, R&B-style: Mid-West electric blues, Southern swamp rock, spicy New Orleans rhythms, funky grunting mambos, sophisticated West-Coast productions and East Coast city blues, dominated by guitarists and saxophonists but interspersed with organists, accordionists, pianists and harmonicists. Glorious stuff! Including label shots and annotated notes RANDB089 'If instrumentals – tenor sax players, harp players, guitarists, piano players – are your thing then this is right up your street. I have to say that I enjoyed (most) of it immensely.' Phil Wight B&R ‘If you’re in the mood to dance to music without interference of vocals, Rhythm and Blues Records has just the cure for you…a thorough sampling that reflects just how popular the instrumental format became in the mid-50s…a comprehensive set of liner notes written by Nick Duckett...a catchy title and snarky groove was all you needed to get in the mood to make your way to the dance floor.’ Wayne Goins Living Blues Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    We bring you 60 mighty instrumental stompers from 1955, R&B-style: Mid-West electric blues, Southern swamp rock, spicy New Orleans rhythms, funky grunting mambos, sophisticated West-Coast productions and East Coast city blues, dominated by guitarists and saxophonists but interspersed with organists, accordionists, pianists and harmonicists. Glorious stuff! Including label shots and annotated notes RANDB089 If instrumentals – tenor sax players, harp players, guitarists, piano players – are your thing then this is right up your street. I have to say that I enjoyed (most) of it immensely. Phil Wight B&R Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    Following the success of Alan Freed’s Rock’n’Roll Revues in 1953 and 1954, record companies ramped up the number of rhythm and blues releases (or rock’n’roll as it had now become known) to satisfy increased demand among white American teenagers. Instrumental records were just perfect for getting the kids up on the dance floor, be they hard-rocking guitar and sax-led numbers, slinky organ smoochers, or Mambo groovers. This 2CD set contains the sixty finest and most exciting R&B instrumentals recorded in 1954. Including label shots and annotated notes RANDB088 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.  
    1. Jailhouse Rock
    2. Interview
    3. Paint It Black
    4. See See Rider
    5. The Same Thing
    6. Interview
    7. When I Was Young
    8. A Love Like Yours
    9. Connection
    10. If I Were A Carpenter
    11. Shake, Rattle & Roll
    12. McCullough's Rockin' Blues
    13. Yes I´m Experienced
    14. It’s All Meat
    15. San Franciscan Nights
    16. All Night Long
    17. Good Times
    18. I Get So Excited
    19. Interview
    20. San Franciscan Nights
    21. Anything
    22. Interview
    23. Monterey
    24. All Night Long
    25. Orange & Red Beams
    26. Monterey
    27. Interview
    28. It Hurts Me Too
    29. White Houses
    30. Landscape
  • Sale!
    What you have on this 2CD set is a glimpse into Georgie Fame’s world circa 1964/65. It comprises 45 songs recorded for the BBC and others between 1964 and 1965 (mostly in excellent quality sound), including two exciting live audience performances broadcast direct from the legendary Ricky Tick Club in Windsor. Fame was different; he played soul, blues, dance music, ballads, ska/blue beat, vocalese, big band jazz, hillbilly, New Orleans and even World Music, decades before that term was invented. For anyone who wishes to explore this world, the 2CD set you have here offers the very best of guided tours. To quote Georgie from “Night Train”: All aboard children! 16 page booklet with notes by Dave Stephens.
  • Disc One
    1. Satisfaction (G)
    2. I'm Alright (G)
    3. Everybody Needs Somebody (G)
    4. Pain In My Heart (G)
    5. Around And Around (G)
    6. Time Is On My Side (G)
    7. I'm Moving On (G)
    8. The Last Time (G)
    9. Satisfaction (G)
    10. I'm Alright (G)
    11. Edited Medley (G)
    12. Everybody Needs Somebody (P)
    13. Around And Around (P)
    14. Off The Hook (P)
    15. Time Is On My Side (P)
    16. Carol (P)
    17. It's All Over Now (P)
    18. Little Red Rooster (P)
    19. Route 66 (P)
    20. Everybody Needs Somebody (P)
    21. The Last Time (P)
    22. I’m Alright (P)
    23. Crawdad (P)
    24. Everybody Needs Somebody (L)
    25. Pain In My Heart (L)
    26. Around And Around (L)
    27. The Last Time (L)
    28. Little Red Rooster
    Disc Two
    1. The Last Time
    2. Little Red Rooster
    3. Everybody Needs Somebody
    4. Oh Baby
    5. Satisfaction
    6. Down The Road Apiece*
    7. Little Red Rooster*
    8. The Last Time*
    9. Play With Fire*
    10. Satisfaction*
    11. Around & Around+
    12. If You Need Me+
    13. Down The Road Apiece+
    14. Time Is On My Side+
    15. What A Shame+
    16. Everybody Needs Somebody+
    17. The Last Time+
    18. Everybody Needs Somebody+
    19. Pain In My Heart+
    20. I’m Alright+
    21. Oh Baby +
    22. That’s How Strong My Love Is+
    23. Satisfaction+
    24. Cry To Me+
    25. She Said Yeah+
    26. Get Off My Cloud+
    27. Useless Information#
    28. She Said Yeah#
    29. Get Off My Cloud#
    30. Reelin' & Rockin'
    Sound quality ranges from excellent (soundboard) to very good/poor (direct off air). CD1 comprises shows from Germany (G), Paris (P), and London (L) and is excellent quality, as are tracks 1-5 on CD2. As for the rest of CD2 tracks: Shindig* and Hullabaloo# tracks are very good; Ready Steady Go+ tracks vary from poor to very good.
  • Disc One Commonwealth Jazz Orchestra August 30th 1965
    1. Change Of Setting
    2. Blues For Pipkins
    3. Double Stopper
    4. The Song Is You
    5. Whisper Not
    6. 100% Proof
    7. Blame It On My Youth
    8. Wives and Lovers
    9. I Never Know When To Say When
    10. What’s Blue?
    Disc Two Tubby Hayes Quartet January 25th 1965
    1. Mini Minor
    2. Con Alma
    3. Sometime Ago
    4. Souriya
    5. So What
    July 12th 1965* (low fidelity recording)
    1. Change Of Setting
    2. Alone Together
    3. Sometime Ago
    4. Spring Can Really Hang You Up The Most
    5. Don’t Fall Off The Bridge
       
  • Sale!
    Disc One British Jazz
    1. Eddie Thompson Trio Eddification
    2. Don Rendell Jazz Six Johnny Comes Lately
    3. The Jazz Couriers Mirage
    4. Tony Crombie Ninth Man
    5. Alan Clare Trio Morning Fun
    6. Melody Maker All Stars Hark Dog
    7. Ronnie Ross Quintet The Serpent
    8. Jimmy Deuchar Sextet Jak-Jak
    9. Vic Ash Sextet Just For The Boys
    10. Don Rendell Jazz Six Tickletoe
    11. Dizzy Reece Quintet Close Up
    12. Ronnie Ross Quintet Slidin'
    13. Ken Moule's Music Fishin' The Blues
    14. Johnny Dankworth Jim and Andy's
    15. The Jazz Couriers The Serpent
    16. Jimmy Deuchar Sextet Heather Mist
    17. Tony Kinsey Quintet Autumn In Cuba
    Disc Two Jazz U.S.A
    1. Eddie Costa Quartet Guys and Dolls
    2. Art Blakey Jazz Messengers Moanin' (45rpm)
    3. Hampton Hawes There Will Never Be Another You
    4. Harold Land Quintet You Don't Know What Love Is
    5. Kenny Burrell Septet The Man I Love
    6. Mose Allison Trio The Seventh Son
    7. Lou Donaldson Quintet Blues Walk
    8. Bill Evans Trio Tenderly
    9. Cannonball Adderley Autumn Leaves
    10. Ahmad Jamal Trio Poinciana (45rpm)
    11. Miles Davis Milestones
    12. John Coltrane/Kenny Burrell Freight Trane
    13. Horace Silver Quintet Pyramid
    14. Count Basie Orchestra Lil’ Darlin’ (45rpm)
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    Country blues and club blues; drinking songs and risqué songs; vocal groups and instrumental combos. From bebop to boogie, gutbucket to gospel, honkin’ and screamin’ to low down and dirty rock’n’roll; 112 tracks and not a dud in the bunch! RANDB078 5CD bonus disc 1. I'm A Night Owl Glenn Lowell Fulson Swing Time 243 1950 2. Birmingham Bounce Gunter Amos Milburn Aladdin 3058 1950 3. Bat-Lee Swing Allen George Miller’s Mid-Driffs Mercury 8183 Feb 1950 4. One Monkey Don't Stop The Show McGhee Sticks McGhee Atlantic 937 Nov 1950 5. I Know Ramson/Toombs Ruth Brown Atlantic 941 Oct 1950 6. Who Said Shorty Wasn't Coming Back Glover/Nix/Mundy Henry Glover King 4398 Feb 1950 7. Time Is Marching On Unknown The Ravens National 9148 1950 8. Cool Down Mama Hunter Lost John Hunter Four Star 1492 1950 9. Hillbilly Boogie Irby Jerry Irby MGM 10809 Mar 1950 10. Nobody's Lovin' Me Glover Lonnie Johnson King 4432 Sep 1950 11. Black Fantasy Glenn Lloyd Glenn Swing Time 336 Nov 1950 12. Rockin' Chair Mama Littlefield Little Willie Littlefield Modern 20-729 Feb 1950 13. I Found My Baby Hunter Ivory Joe Hunter MGM 10899 May 1950 14. Call On The Phone Campbell Lewis Campbell MGM 10787 1950 15. Chicken Blues Ward/Marks The Dominoes Federal 12001 Nov 1950 16. Empty Hand Peck/James/Wright Billy Wright Savoy 733 Jan 1950 17. I'll Never Be Free Weiss Dinah Washington Mercury 8187 May 1950 18. Earthquake The Singletons Charlie Singleton Red Robin 103 1950 19. Jumping Jacks Unknown The Three Riffs Apollo 1164 1950 20. Late In The Evening Blues Henry Ray Charles Swing Time 228 May 1950 21. Shuffle Shuck Valentine/Moore Jimmy Liggins Specialty 380 May 1950 22. This Old World Unknown Goldia Haynes/Joe Liggins Capitol 1019 Apr 1950 23. Hamburger Joint McCracklin Jimmy McCracklin Modern 1950 24. Later For The Gator Jackson Willis Jackson Apollo 806 1950 25. Love My Baby Joe Turner Joe Turner Imperial 5093 Apr 1950 26. Come On In King Porter King Porter King 4333 1950 27. Jumping This Morning Williams Tippo Lite & The All Stars Back Alley 202 1950 28. Frantic Chick Bartholomew Dave Bartholomew Imperial 5089 Mar 1950 29. Hey! La Bas Boogie Bartholomew/Domino Fats Domino Imperial 5085 Jan 1950
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    Clarksdale, Mississippi: birthplace of Ike Turner, Sam Cooke, John Lee Hooker and Son House and home to five taverns visited by Library of Congress researcher Lewis Wade Jones in 1941. In each of these taverns, the Chicken Shack, the Dipsie Doodle, Lucky's, the Messenger's Cafe, and the New Africa, a jukebox. In each jukebox, a choice of records, painstakingly listed by Jones, who figured it was worth it. And now, sitting down in the comfort of your own home, you can pull yourself a beer and listen to the sounds that a 29 year-old Muddy Waters from nearby Stovall might have heard on a night out in Clarksdale on 9th September, 1941. Thanks, Lewis! After reading the impeccable illustrated booklet, all that’s left is to close the eyes, leaving for Clarksdale in 1941, push open the door to any tavern and slip a coin into the music box...magic! Le Pied This is not only a great collection of music it's a significant historical document. A delightful and truly fascinating collection. Frank Scott Roots & Rhythm While the sound has been cleaned up it still has that period warmth and feel which adds to the authenticity. There's occasional surface noise but nothing that gets in the way of enjoying the music. The 18 page booklet has details for each single--title, composer, artist, label, recording date--plus an essay reprinted from 1971 that includes pertinent information about the music/era, and a few photos of performers and other pertinent ephemera. This set is worth five "stars" not only because of the music/artists found that day, but also for the Rhythm and Blues label having the foresight and the chestnuts to release something as important as this. Blues fans looking for authentic music, the kind that patrons of those five clubs listened to using their hard earned nickels in juke boxes, as they drank with friends will find many surprises found on those juke boxes. This collection is from a two year field study of culture in the Mississippi Delta region during the summers of '41 and '42 in conjunction with the Archive of American Folk Song--Library of Congress & Fisk University. If you're a deep blues fan read "Lost Delta Found" and there you'll see one section that lists "Records on Machines in Clarksdale Amusement Places", that lists all the songs. Obviously this collection is the real-deal authentic music heard in that region (and no doubt other areas) in the 1940's. There's no guess work, no random inclusion of songs/performers that fit comfortably in the "juke joint" mould of what people may envision as from that era. Because of the authenticity of the cultural study and Jones' work, this is one of the most important (and eye-opening) collections of music in the blues genre. Plus it makes for darn good listening. Blues fans/blues scholars will have a field day with this fine set--it upsets what many of us thought "juke joint music" was. But the juke box changed all that. It's the music that working people heard after a day of hard work while drinking and relaxing with their friends. On all accounts this collection has to be one of the most authentic, important releases in the blues genre for 2016. Many tracks aren't what people may think of as juke joint music, but the juke box ushered in a new era of music in taverns and local joints all across the South. But more than that--it's just great music. Stuart Jefferson Amazon RANDB036  
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    Includes fully illustrated booklet. RANDB025
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    Includes fully illustrated booklet. When many of these records were cut I was 4 years old and playing in the rubble of a bombed-out Hull, courtesy of the Luftwaffe. Back then, in the UK, any one of these 111 (yes, 111 even!) tracks would have given the BBC a coronary thrombosis because the nearest we got to black music was the bellowing burnt cork of Al Jolson. Following the previous R&B Anthology sets from R&B Records, I knew I’d be in for more thrills with this and I’m not disappointed, yet restricted wordage here precludes a full ecstatic overview. However - if you thought big strident in-your-face electric guitar chords arrived in the 1960s, check out 1947’s Midnight in The Barrel House by Johnny Otis. And there’s Dizzy Gillespie, Mahalia Jackson and even Hank Williams and Merle Travis. Needing wild, wanton and utterly danceable? You need Fluffy Hunter and Buddy Banks with the manic piano of Fluffy’s Debut. Disc 2 is replete with rare gems too. The sorely neglected Andrew Tibbs pre-empting Jerry Lee Lewis’s Wine Spodey-Odey by over a decade with the rousing Drinking Ink Splink. This is a magical mystery tour with Madam Ira Mae Littlejohn’s boisterous Go Devil Go and even a 1947 Muddy Waters with Gypsy Woman, contrasting nicely with the raucous front porch fiddling of Harry Choates and his Hackberry Hop. By the time you reach disc 3 you feel like you’ve drunk a half bottle of Bourbon. Amos Milburn kicks in with a rolling Chicken Shack Boogie, the sinister, dark and energetic 1948 cut of Hooker’s Boogie Chillen, Nellie Lutcher’s uplifting Fine Brown Frame and the honking saxes of The Twister by Paul Williams, the scintillating acapella harmonies of the Swan Silvertone Singers. Disc 4 boogies along just as agreeably with The Beale Street Gang’s Fat Stuff Boogie, followed by Arthur Smith’s seminal guitar hit, Guitar Boogie, there’s more 1948 Muddy Waters, a bouncy Pettin’ and Pokin’ by Louis Jordan and 20 other delights. This hefty collection curated by Nick Duckett, who also provides the entertaining liner notes, feels like stumbling into a sealed cave of musical pirate treasure; golden nuggets, jewelled crowns, dancing diamonds and rhythmic rubies. Sometimes musical history can jolt you from the terror and torpor of the present and take you to a long forgotten place of joy. That may sound like Pseud’s Corner, but these R&B Anthologies do it for me. Try it - you’ll be well rewarded. ROY BAINTON RANDB024
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    Includes fully illustrated booklet. ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB023
  • (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) DISC ONE 1950-1957 DISC TWO THE VILLAGE FETE DISC THREE 1958 DISC FOUR THE END OF THE QUARRYMEN Here are the 100 or so songs they are documented as having performed along with a few of their teenage party pieces with which they would entertain family and friends. It is no exaggeration to say that the entire "Beatles Beginnings”series is an important set of historical documents. Even without regard to the Beatles, this is a collection of "Singles of Significance"...The producers of this series pored over Beatles biographies to compile a list of the songs and musicians the Beatles cited and performed. The work behind this set is scholarly...provides an opportunity to get right to the core of the Beatles influences immediately and effortlessly... Buy it, hear it, and appreciate it forever. Malachi Beale With fully illustrated 24-page booklet RANDB022
  •  Disc 1  Disc 2
    Joe S. Maxey Right On! Monk Higgins Ain't That Hateful
    Clarence Gatemouth Brown Summertime The Soul Runners Grits 'n' Corn Bread
    Beverly Pitts Just Some Soul Righteous Brothers Band Green Onions
    Perry & The Harmonics James Goes To Soulville Kase Trio Shug
    Hank Marr Marr's Groove Mark III Trio ‎Blues For Elmer
    Lorenzo Holden The Wig The Pop-Ups Lurking
    The Limas Big Limas World Famous Upsetters Cabbage Greens
    Oliver Sain Jerk Loose Little Sonny The Mix Up
    Johnny Hammond Smith The Golden Thrush Watts 103rd Street Charley
    Junior Parker These Kind Of Blues (Pt. 2) Hank Marr White House Party
    Boss Sounds In The Midnight Hour The Triumphs Turn Out The Light
    Mark III Trio Good Grease Jamo Thomas Jamo's Soul
    Dino & The Dell-Tones Slapstick James Rivers Tighten Up
    Bash Brannigan Hunky Funky Four Gents Soul Sister
    The Blendells Get Your Baby The Premiers Get Your Baby
    The Corky Wilkie Band Something Swinging The Registers No Deposit No Return
    Leon & The Burners Whiplash Tom Douglas Haulin'
    Chuck Rowan Jerk Walk Merle Saunders Soul Roach
    Booker T & The MG's Bootleg/Green Onions Medley The Buena Vistas Hot Shot
    Merle Saunders How's That Rudy Robinson The Mustang
    The Nu-Trons Beat George Semper ‎Collard Greens
    The Dukeys Sho-Nuf M.F. The Four Steps Same Old Beat
    Gaynel Hodge Follow the Fox Ramsey Lewis Trio Hang On, Sloopy
    E Rodney Jones R&B Time (Pt. 2) John Adams I Will Love You
    Johnny Talbot Never Make Your Baby Cry Ric-Tic House Band Agent Double-O-Soul
    Dave Bartholomew Wishbone Charlie Earland Yes-Suh!
    Leon & The Burners Crack Up Leon Haywood Soul On
    The Wild Child Down In The Chile World Famous Upsetters KP
    Sammie John Boss Bag Gentleman June Gardner Last Night
    Harold Battiste Jr How We Do It In New Orleans Eddie Bishop Call Me