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  • Disc One 1. Speak Your Piece March 3rd 1965 Hoochie Coochie Men 2. I’m On To You Baby March 3rd 1965 Hoochie Coochie Men 3. Turn On Your Lovelight March 3rd 1965 Hoochie Coochie Men 4. Bright Lights, Big City February 28th 1964 Hoochie Coochie Men 5. The 2.19 February 28th 1964 Hoochie Coochie Men 6. Mojo Working February 28th 1964 Ensemble 7. You're Breaking My Heart March 19th 1964 Long John Baldry/Blue Flames 8. Medley April 28th 1964 Long John Baldry/ Vernon Girls 9. Backwater Blues Early 1965 Hoochie Coochie Men 10. St. James Infirmary Early 1965 Hoochie Coochie Men 11. Time's Getting Tougher Than Tough Early 1965 Hoochie Coochie Men 12. Speak Your Piece Early 1965 Hoochie Coochie Men 13. Five Long Years Early 1965 Hoochie Coochie Men 14. Gee Baby, Ain't I Good To You Early 1965 Hoochie Coochie Men 15. Stormy Monday Early 1965 Hoochie Coochie Men 16. (We're Gonna) Jump For Joy August 8th 1965 Ensemble with Eric Burdon 17. Lord, Remember Me August 8th 1965 Steampacket 18. It’s All Right September 28th 1965 Steampacket 19. How Long Will It Last September 28th 1965 Steampacket 20. In The Midnight Hour September 28th 1965 Steampacket 21. Going To A Go Go June 7th 1966 Steampacket 22. The Drifter June 7th 1966 Steampacket 23. Everything's Gonna Be Alright June 7th 1966 Steampacket 24. I Didn't Want to Have to Do It June 7th 1966 Steampacket Disc Two 1. Filthy McNasty Early 1965 Hoochie Coochie Men 2. Sunset Eyes Early 1965 Hoochie Coochie Men 3. She’s A Woman June 7th 1966 Brian Auger & The Trinity 4. Cuckoo January 1967 Long John Baldry/Bluesology 5. Turn On Your Lovelight January 1967 Long John Baldry/Bluesology 6. Morning Dew November 1967 Long John Baldry/Bluesology 7. Let The Heartaches Begin November 1967 Long John Baldry/Bluesology 8. Bad Luck Soul November 1967 Long John Baldry/Bluesology 9. How Sweet It Is November 1967 Long John Baldry/Bluesology 10. Mexico May 1968 Long John Baldry/Bluesology 11. Morning Of The Carnival May 1968 Long John Baldry/Bluesology 12. Janine May 1968 Long John Baldry/Bluesology 13. Better By Far August 1968 Long John Baldry/Bluesology 14. When The Sun Comes Shining Thru’ August 1968 Long John Baldry/Bluesology 15. The Drifter August 1968 Long John Baldry/Bluesology 16. Call It Stormy Monday Unknown Long John Baldry/Bluesology 17. I Can't Stand It June 5th 1965 Brian Auger & The Trinity 18. Fool Killer June 5th 1965 Brian Auger & The Trinity 19. Just Got Some Unknown Brian Auger & The Trinity 20. Rock Candy Unknown Brian Auger & The Trinity 21. Let's Do It Tonight June 5th 1965 Brian Auger & The Trinity 22. Loop De Loop June 5th 1965 Brian Auger & The Trinity
  • Disc One British Jazz
    1. Eddie Thompson Trio Eddification
    2. Don Rendell Jazz Six Johnny Comes Lately
    3. The Jazz Couriers Mirage
    4. Tony Crombie Ninth Man
    5. Alan Clare Trio Morning Fun
    6. Melody Maker All Stars Hark Dog
    7. Ronnie Ross Quintet The Serpent
    8. Jimmy Deuchar Sextet Jak-Jak
    9. Vic Ash Sextet Just For The Boys
    10. Don Rendell Jazz Six Tickletoe
    11. Dizzy Reece Quintet Close Up
    12. Ronnie Ross Quintet Slidin'
    13. Ken Moule's Music Fishin' The Blues
    14. Johnny Dankworth Jim and Andy's
    15. The Jazz Couriers The Serpent
    16. Jimmy Deuchar Sextet Heather Mist
    17. Tony Kinsey Quintet Autumn In Cuba
    Disc Two Jazz U.S.A
    1. Eddie Costa Quartet Guys and Dolls
    2. Art Blakey Jazz Messengers Moanin' (45rpm)
    3. Hampton Hawes There Will Never Be Another You
    4. Harold Land Quintet You Don't Know What Love Is
    5. Kenny Burrell Septet The Man I Love
    6. Mose Allison Trio The Seventh Son
    7. Lou Donaldson Quintet Blues Walk
    8. Bill Evans Trio Tenderly
    9. Cannonball Adderley Autumn Leaves
    10. Ahmad Jamal Trio Poinciana (45rpm)
    11. Miles Davis Milestones
    12. John Coltrane/Kenny Burrell Freight Trane
    13. Horace Silver Quintet Pyramid
    14. Count Basie Orchestra Lil’ Darlin’ (45rpm)
  • Out of stock
    More than any other city in the world, New Orleans has been responsible for shaping the sound of twentieth century popular music. Sweeping statement that may be, but as the birthplace of jazz, funk and arguably rock’n’roll, it really has no other contenders. At the heart of these three widely different varieties of music lies the rhythmic complexity of second line parade drumming. Its two-beat patterns combining military band and Caribbean rhythms underpin the early recordings of Louis Armstrong as much as they do those of Little Richard and James Brown. This compilation highlights some of the distinguishing characteristics found in early New Orleans recordings, not with the intention of picking out the city’s finest jazz and blues recordings but in order to pinpoint styles that would foreshadow later developments in the rhythm and blues field. Printed CDs no booklet RANDB029 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • The Big Apple had long been an important centre of Afro-American music, following on from its Tin Pan Alley status, and this trend continued after World War Two. Together with large independent labels like Atlantic and Jubilee, smaller labels jostled for sales in a crowded marketplace, recording almost all the black music styles: country blues, city R&B, gospel, doo wop – and everything in between.

    By 1966, soul was the dominant musical genre throughout the US, and New York was THE recording centre, producing more records than anywhere else. This CD avoids the better-known hits, and you may not have heard of a lot of the singers, but these tracks, often from tiny labels, represent the sound of the city rather better than many big label productions. This is the sound from the streets and clubs - music that got heard and appreciated way below the radar.

    We’ve brought together all the branches of the soul tree from funky R&B to sweet group soul, from pounding uptempo dancers to big city cry ballads. There’s something in these grooves for the feet and for the heart – what more could anyone want?

    SOUL030 Includes original 28 page booklet by John Ridley and CD inlay. Produced as CD-R (recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Disc Three  
    1. Soothe Me The Sims Twins
    2. Don't Cry Baby Etta James
    3. Someday We'll Be Together Johnny & Jackey
    4. Waiting At The Station Ernie K-Doe
    5. Gin House Blues Nina Simone
    6. Sweet Lovin' Mama Johnny 'Guitar' Watson
    7. I Got To Get Away From It All Mitty Collier
    8. She Put The Hurt On Me Prince La La
    9. A Losing Battle Johnny Adams
    10. Trick Bag Earl King
    11. Every Little Bit Hurts Brenda Holloway
    12. Land Of 1,000 Dances Chris Kenner
    13. Make It Easy On Yourself  Jerry Butler
    14. Ninety Nine & A Half Won't Do Della Reese
    15. She Put Me Down Paul Walters
    16. No Headstone On My Grave Esther Phillips
    17. Seat In The Kingdom Hightower Brothers
    18. It Must Be Love The Contours
    19. I'll Go Crazy James Brown
    20. Sooner Or Later The Four Rivers
    21. I'm The One Who Loves You The Impressions
    22. Losing Hand Little Milton
    23. I Found A Love The Falcons
    24. Stubborn Kind Of Fellow Marvin Gaye
    25. Bring It On Home To Me Sam Cooke
    26. You’ve Really Got A Hold On Me The Miracles
    27. If You Need Me Solomon Burke
    28. Mojo Hanna Tami Lynn
    29.   It's Too Late Darling Bobby Parker
  • Disc One   1.  Judgement Sister Mary Nelson 2.  Lord I Just Can't Keep From Cryin' Blind Willie Johnson 3.  Moan, You Moaners Bessie Smith 4.  Oh, My Lord Mahalia Jackson 5.  This Heart Of Mine Rev R V Gates 6.  Gospel Train The Wright Brothers 7.  If I Could Just Make It In Ernestine B Washington 8.  I’m Waiting For Jesus Georgia Peach  9.  Beams Of Heaven Rosetta Tharpe & Marie Knight 10. How Sweet It Is Professor J Earle Hines 11. Stand By Me Sister Mathews 12. There's A Place Cora Martin 13. Heaven Bound Train Jackson Gospel Singers 14. Do Something For Me The Dominoes 15. Please Send Me Someone To Love Percy Mayfield 16. I'm Sealed Dorothy Love Coates 17. Too Late Baby The Five Keys 18. I'll Be There Little Esther 19. Try A Little Tenderness Little Miss Cornshucks 20. Misery In My Heart Ray Charles 21. When He Spoke Ruth Davis 22. Crying All Night Long Bobby Bland 23. I'm Tired The Davis Sisters 24. Lawdy Miss Clawdy Lloyd Price 25. Just Another Day The Soul Stirrers 26. Baby Don't Do It The "5" Royales 27. Too Close To Heaven Alex Bradford 28. I'm Going To Move To The Outskirts  The Dominoes 29. I've Got A New Home The Pilgrim TravelersDisc Two   1.     I've Got A Woman Ray Charles 2.     The Angels Keep Watching The Caravans 3.     Help Me The Aladdins 4.     Jesus Brought Me/The Swan Silvertones 5.     Directly From My Heart Little Richard 6.     Ten Long Years B.B. King 7.     The Way You Dog Me Around The Diablos 8.     I Can't Linda Hopkins 9.     Farther Up The Road Bobby 'Blue' Bland 10.   Don't You Know The Ramblers 11.   Be With Me Jesus The Soul Stirrers 12.   Let's Call It A Day Billy Gayles 13.   Fever Little Willie John 14.   Uncloudy Day The Staple Singers 15.   Hold My Baby's Hand James Brown 16.   That's Enough Judy Clay/Drinkard Singers 17.   Tell The Truth The "5" Royales 18.   Something's Got A Hold Of Me The Soul Seekers 19.   What'd I Say Ray Charles 20.   I'll Weep No More Betty Everett 21.   Working On The Building The Highway QC's 22.   Going Back Where I Belong Sugar Pie De Santo 23.   Money Barrett Strong 24.   My Soul Looks Back The Meditation Singers 25.   I Idolize You Ike & Tina Turner 26.   Doggin' Around Jackie Wilson 27.   Baby, One More Time The Drapers 28.   Who Wouldn't Love A Man Like That Mable John 29.   Cigarettes And Coffee Al 'TNT' Braggs
  • CD1 British Jazz
    1. Temple Dancer Michael Garrick Sextet
    2. Psychedelic Sally Joe Harriott Quintet
    3. Early Morning Groove Terry Smith
    4. Downstream John Surman/Russ Henderson Calypso Jazz
    5. The Syndicate Tubby Hayes Quartet
    6. Rebirth New Jazz Orchestra
    7. Angle Howard Riley Trio
    8. Pavane Don Rendell/Ian Carr Quintet
    9. Green, Purple & Blue Alan Cohen Big Band
    10. Dragon Hill Ray Russell Quartet
    11. Familie Spontaneous Music Ensemble
    12. World in Action Theme Blue Weaver & Shawn Phillips
      CD2 Jazz USA
    1. Music For A Massacre Eddie Harris
    2. Ode To Billy Joe Roland Kirk
    3. Nutville Horace Silver
    4. Blues For Gerri Lloyd Wallace
    5. Grazing Hugh Masekela
    6. The Shepherd Orpheus Four
    7. Passin' Thru Charles Lloyd
    8. Listen Here Freddie McCoy
    9. A Few Miles From Memphis Harold Mabern
    10. California Nights Wes Montgomery
    11. Airegin Hank Mobley
    12. Greasy Greens Lionel Hampton
    13. Pumpkin Place Prince James Quartette
    14. Eternal Rhythm   Don Cherry
  • CD1 1.       The Walk 2.       Interview 3.       I Put A Spell On You 4.       Baby Work Out 5.       Shake 6.       Take Me Home 7.       Interview 8.       Hi-Lili, Hi-Lo 9.       Interview 10.   When A Man Loves A Woman 11.   Barefootin’ 12.   Interview 13.   What A Wonderful Feeling 14.   Interview 15.   Getting Mighty Crowded 16.   Loving You Is Sweeter Than Ever 17.   Critic's Choice 18.   Interview 19.   Tickle Me 20.   I Can't Turn You Loose 21.   I Take What I Want 22.   Said I Wasn't Gonna Tell Nobody 23.   Tickle Me 24.   Interview 25.   Simon Smith And The Amazing Dancing Bear 26.   Rip It Up 27.   Goin' Out of My Head 28.   Interview 29.   Simon Smith And The Amazing Dancing Bear 30.   Living Without You 31.   Knock On Wood 32.   Bet No One Ever Hurt This Bad 33.   Don't Let Me Be Misunderstood 34.   Rip It UpCD2 1.       The House That Jack Built 2.       Who Cares 3.       Take Me In Your Arms And Love Me 4.       The House That Jack Built 5.       I Was Made to Love Her 6.       Lover's Law 7.       Don’t Do That Again 8.       Shame 9.       The Letter 10.   Satisfied Street 11.   Don't Do That Again 12.   Interview 13.   Don’t Stop The Carnival Show 14.   Going to Chicago 15.   The Time Has Come 16.   When I Was A Cowboy 17.   You Don't Love Me No More 18.   1941 19.   Interview 20.   Love Story 21.   Goin’ Down Slow 22.   My Old Kentucky Home 23.   Falling in Love Again 24.   I Can't Turn You Loose 25.   Interview 26.   Sunshine And Rain 27.   Savaloy Dip 28.   When The Battle Is Over 29.   Bring Back The Good Old Days  
  • 1.     Down For The Count 2.     Hittin' Twelve 3.     Lonely Street 4.     Exactly Like You 5.     Keep Your Big Mouth Shut 6.     Blues for Ilean 7.     Cherokee 8.     Shiny Stockings 9.     It Could Happen To You 10.   The Ballad Of Bonnie & Clyde 11.   Goodtime Blues    12.   Magic Flea 13.   L'il Pony 14.   Pink Champagne 15.   If You’re Going To The City 16.   Sitting In The Park 17.   No Thanks 18.   Parker’s Mood 19.   The Ballad Of Bonnie & Clyde 20.   Respoken 21.   Pink Champagne 22.   So Long 23.   This Could Be The Start Of Something    
  • 1957-1963

    As Southern Soul reached its Golden Age around 1965-65, it was mining a rich seam of music that went back to blues gospel and country. In our third look at the music that went into Southern Soul, we have unearthed a shining array of rare gems from both male and female singers, who scream, cry and shout out their emotions. This elemental feel to the collection goes hand in hand with stunning arrangements and musicianship that will bring joy to anyone’s heart.

    Soul 002 & 017 Where Southern Soul Began 1 & 2 'These two 2-cd volumes are a fine way to trace the roots of what we now call 'southern soul', beginning back in 1954 through to 1962,.I immediately want to deliver a 'star pick' rating to the first volume., ultimately, its clear that the two sets are highly complimentary, excellently presented and really should be sitting together on the record shelves.' STAR PICK***** x2. Bob Cole Basement Group Review

    'Listening to the impressive tracks on these 2 CDs, and reading through the full colour 28 page booklet that accompanies it, these influences are mostly easy to identify and associate with. The overall standard of these 54 tracks is amazingly high and there are hours of fun to be had here, in the unlikely event that you ever tire of this collection, there is always the rest of the series to catch up with!' Red Lick Records

    Designed by connoisseurs for connoisseurs, these amazing collections of rare sides have notes written by John Ridley, that great treasure hunter of soul music. Once you’re on the train it moves at breakneck speed. Houston, Nashville, New Orleans, Memphis, Chicago, the stations parade by, never stopping more than three minutes on the same artist, the time it takes to listen to one side of a 45. Some well-known faces sit alongside a genuine crowd of forgotten heroes of soul and rhythm and blues. Perfectly delightful and surprisingly varied. Julien Cure – Soul Bag (France) SOUL022 Includes original CD tray insert and 20 page booklet by John Ridley Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • This box set is a companion piece to the 8CD set From Sacred To Secular: A Soul Awakening, which traced the history of soul music from its earliest antecedents in 1927 right up to the first true soul records released in 1962. Here we continue the story from 1962 up to the end of the decade, covering a large portion of soul music’s Golden Age with 100 tracks by soul’s greatest 60s superstars (from Aretha Franklin to Stevie Wonder) and a whole host of “lesser” names whose contribution to the musical genre shouldn’t be overlooked. The CDs cover all of soul’s many styles from early doo-wop and R&B influenced music to the funk grooves which were to prove so popular in the 70s. Other harbingers of the coming decade can be found here in the first sweet-soul Philly sounds from the Delfonics and Intruders, early funk rock  (Sly & The Family Stone) and Chicago’s renaissance via Curtis Mayfield and the Impressions. But this Soul Chronology differs from almost every other soul selection in that all the tracks on it are taken from live performances rather than vinyl sources.  These sounds are both more immediate and more personal than the records that may well be more familiar to listeners. The production values may be lower than original recordings due to the technological limitations of the period but in their place come the vibrancy of a live act, its intimacy and its raw impact, factors that don’t usually come through via vinyl or CD. And there is no place to hide in a live environment - the musicians and singers are able to show just how talented they were without any added tricks or enhancements that studio producers could offer. So if you want to know just how good the soul musicians and singers in the 60s really were, just check out these CDs. You may be amazed but you certainly won’t be disappointed! These compilation CDs are a true 'must have'…this indispensable music history document…belongs in the record collection of everyone who is fond of music. Rootstime This 4 CD set has been really good to hear. We are treated to the original artists at the top of their game…What better way to spend nearly six hours…A fine release. Keith Scoffham Blues & Rhythm
  • By 1950, Rhythm and Blues was well established as a distinct form of black popular music having shed the generic racial connotations of earlier descriptions. The establishment of new recording studios in Los Angeles, New Orleans, Cincinnati, Houston and Memphis fostered the development of distinctive regional styles with smaller independent labels such as Atlantic, King, Specialty and Imperial being set up to capitalise on this booming new market. Country blues and club blues; drinking songs and risqué songs; vocal groups and instrumental combos. From bebop to boogie, gutbucket to gospel, honkin’ and screamin’ to low down and dirty rock’n’roll; 112 tracks and not a dud in the bunch! RANDB078 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Includes fully illustrated booklet. Clarksdale, Mississippi: birthplace of Ike Turner, Sam Cooke, John Lee Hooker and Son House and home to five taverns visited by Library of Congress researcher Lewis Wade Jones in 1941. In each of these taverns, the Chicken Shack, the Dipsie Doodle, Lucky's, the Messenger's Cafe, and the New Africa, a jukebox. In each jukebox, a choice of records, painstakingly listed by Jones, who figured it was worth it. And now, sitting down in the comfort of your own home, you can pull yourself a beer and listen to the sounds that a 29 year-old Muddy Waters from nearby Stovall might have heard on a night out in Clarksdale on 9th September, 1941. Thanks, Lewis! After reading the impeccable illustrated booklet, all that’s left is to close th eyes, leaving for Clarksdale in 1941, push open the door to any tavern and slip a coin into the music box...magic! Le Pied It’s a brilliant idea, but of course, it stands or falls by the quality of the music on offer. But it stands...boy does it stand...this is blues as pure unadulterated joy...the history crackles from the speakers and blues fans – and indeed fans of good music generally – should beat a path to this album forthwith. Jeremy Searle R2 This is not only a great collection of music it's a significant historical document. A delightful and truly fascinating collection. Frank Scott Roots & Rhythm Overall across the four discs (77 +, 76 +, 74 +, 75 + minutes each) the sound is good/bordering on very good--especially for so many recordings from several labels--recorded from 1938-1941. While the sound has been cleaned up it still has that period warmth and feel which adds to the authenticity. There's occasional surface noise but nothing that gets in the way of enjoying the music. The 18 page booklet has details for each single--title, composer, artist, label, recording date--plus an essay reprinted from 1971 that includes pertinent information about the music/era, and a few photos of performers and other pertinent ephemera. This set is worth five "stars" not only because of the music/artists found that day, but also for the Rhythm and Blues label having the foresight and the chestnuts to release something as important as this. Blues fans looking for authentic music, the kind that patrons of those five clubs listened to using their hard earned nickels in juke boxes, as they drank with friends will find many surprises found on those juke boxes. This collection is from a two year field study of culture in the Mississippi Delta region during the summers of '41 and '42 in conjunction with the Archive of American Folk Song--Library of Congress & Fisk University. If you're a deep blues fan read "Lost Delta Found" and there you'll see one section that lists "Records on Machines in Clarksdale Amusement Places", that lists all the songs. Obviously this collection is the real-deal authentic music heard in that region (and no doubt other areas) in the 1940's. There's no guess work, no random inclusion of songs/performers that fit comfortably in the "juke joint" mould of what people may envision as from that era. Because of the authenticity of the cultural study and Jones' work, this is one of the most important (and eye-opening) collections of music in the blues genre. Plus it makes for darn good listening. Blues fans/blues scholars will have a field day with this fine set--it upsets what many of us thought "juke joint music" was. But the juke box changed all that. It's the music that working people heard after a day of hard work while drinking and relaxing with their friends. On all accounts this collection has to be one of the most authentic, important releases in the blues genre for 2016. Many tracks aren't what people may think of as juke joint music, but the juke box ushered in a new era of music in taverns and local joints all across the South. But more than that--it's just great music. Stuart Jefferson Amazon RANDB036 BONUS CD
  • Includes fully illustrated booklet. Clarksdale, Mississippi: birthplace of Ike Turner, Sam Cooke, John Lee Hooker and Son House and home to five taverns visited by Library of Congress researcher Lewis Wade Jones in 1941. In each of these taverns, the Chicken Shack, the Dipsie Doodle, Lucky's, the Messenger's Cafe, and the New Africa, a jukebox. In each jukebox, a choice of records, painstakingly listed by Jones, who figured it was worth it. And now, sitting down in the comfort of your own home, you can pull yourself a beer and listen to the sounds that a 29 year-old Muddy Waters from nearby Stovall might have heard on a night out in Clarksdale on 9th September, 1941. Thanks, Lewis! After reading the impeccable illustrated booklet, all that’s left is to close th eyes, leaving for Clarksdale in 1941, push open the door to any tavern and slip a coin into the music box...magic! Le Pied It’s a brilliant idea, but of course, it stands or falls by the quality of the music on offer. But it stands...boy does it stand...this is blues as pure unadulterated joy...the history crackles from the speakers and blues fans – and indeed fans of good music generally – should beat a path to this album forthwith. Jeremy Searle R2 This is not only a great collection of music it's a significant historical document. A delightful and truly fascinating collection. Frank Scott Roots & Rhythm Overall across the four discs (77 +, 76 +, 74 +, 75 + minutes each) the sound is good/bordering on very good--especially for so many recordings from several labels--recorded from 1938-1941. While the sound has been cleaned up it still has that period warmth and feel which adds to the authenticity. There's occasional surface noise but nothing that gets in the way of enjoying the music. The 18 page booklet has details for each single--title, composer, artist, label, recording date--plus an essay reprinted from 1971 that includes pertinent information about the music/era, and a few photos of performers and other pertinent ephemera. This set is worth five "stars" not only because of the music/artists found that day, but also for the Rhythm and Blues label having the foresight and the chestnuts to release something as important as this. Blues fans looking for authentic music, the kind that patrons of those five clubs listened to using their hard earned nickels in juke boxes, as they drank with friends will find many surprises found on those juke boxes. This collection is from a two year field study of culture in the Mississippi Delta region during the summers of '41 and '42 in conjunction with the Archive of American Folk Song--Library of Congress & Fisk University. If you're a deep blues fan read "Lost Delta Found" and there you'll see one section that lists "Records on Machines in Clarksdale Amusement Places", that lists all the songs. Obviously this collection is the real-deal authentic music heard in that region (and no doubt other areas) in the 1940's. There's no guess work, no random inclusion of songs/performers that fit comfortably in the "juke joint" mould of what people may envision as from that era. Because of the authenticity of the cultural study and Jones' work, this is one of the most important (and eye-opening) collections of music in the blues genre. Plus it makes for darn good listening. Blues fans/blues scholars will have a field day with this fine set--it upsets what many of us thought "juke joint music" was. But the juke box changed all that. It's the music that working people heard after a day of hard work while drinking and relaxing with their friends. On all accounts this collection has to be one of the most authentic, important releases in the blues genre for 2016. Many tracks aren't what people may think of as juke joint music, but the juke box ushered in a new era of music in taverns and local joints all across the South. But more than that--it's just great music. Stuart Jefferson Amazon RANDB036 BONUS CD available free if you order the set from us direct
  • Includes fully illustrated booklet. ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB023
  • With 8 page booklet ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB031 DVD style casing Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Disc One
    1. Satisfaction (G)
    2. I'm Alright (G)
    3. Everybody Needs Somebody (G)
    4. Pain In My Heart (G)
    5. Around And Around (G)
    6. Time Is On My Side (G)
    7. I'm Moving On (G)
    8. The Last Time (G)
    9. Satisfaction (G)
    10. I'm Alright (G)
    11. Edited Medley (G)
    12. Everybody Needs Somebody (P)
    13. Around And Around (P)
    14. Off The Hook (P)
    15. Time Is On My Side (P)
    16. Carol (P)
    17. It's All Over Now (P)
    18. Little Red Rooster (P)
    19. Route 66 (P)
    20. Everybody Needs Somebody (P)
    21. The Last Time (P)
    22. I’m Alright (P)
    23. Crawdad (P)
    24. Everybody Needs Somebody (L)
    25. Pain In My Heart (L)
    26. Around And Around (L)
    27. The Last Time (L)
    28. Little Red Rooster
    Disc Two
    1. The Last Time
    2. Little Red Rooster
    3. Everybody Needs Somebody
    4. Oh Baby
    5. Satisfaction
    6. Down The Road Apiece*
    7. Little Red Rooster*
    8. The Last Time*
    9. Play With Fire*
    10. Satisfaction*
    11. Around & Around+
    12. If You Need Me+
    13. Down The Road Apiece+
    14. Time Is On My Side+
    15. What A Shame+
    16. Everybody Needs Somebody+
    17. The Last Time+
    18. Everybody Needs Somebody+
    19. Pain In My Heart+
    20. I’m Alright+
    21. Oh Baby +
    22. That’s How Strong My Love Is+
    23. Satisfaction+
    24. Cry To Me+
    25. She Said Yeah+
    26. Get Off My Cloud+
    27. Useless Information#
    28. She Said Yeah#
    29. Get Off My Cloud#
    30. Reelin' & Rockin'
    Sound quality ranges from excellent (soundboard) to very good/poor (direct off air). CD1 comprises shows from Germany (G), Paris (P), and London (L) and is excellent quality, as are tracks 1-5 on CD2. As for the rest of CD2 tracks: Shindig* and Hullabaloo# tracks are very good; Ready Steady Go+ tracks vary from poor to very good.
  • Sale!

    MIGHTY INSTRUMENTALS R&B-STYLE 1962 CD (Bonus Disc)

    Original price was: £5.00.Current price is: £3.00.
    1962 was the peak year for hit records instrumental-style, with no less than 123 discs scoring on the American pop charts. There wasn’t much in the hit parade to interest R&B fans though, apart from King Curtis’s Soul Twist, Booker T. & The MG's Green Onions and James Brown’s Night Train, but that’s where Mighty Instrumentals R&B-Style 1962 comes in. So what was new in 1962? A bit of surf, a bit of funk, a brand new rhythm on Boogie Twist. More slinky organ groovers, uptown dancers and late night smoochers for teenagers to dance to. And there you have it – 58 R&B scorchers with rhythm aplenty. RANDB044 These albums are full of big, fat chugging and swinging bluesy numbers…With their excellent sound and at such good value for money these CDs will delight fans of the genre. Alan Taylor Pipeline  
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    MIGHTY INSTRUMENTALS R&B-STYLE 1958 CD (Bonus Disc)

    Original price was: £5.00.Current price is: £3.00.
    Link Wray’s Rumble and Bill Doggett’s Hold It are the only two big hits included on this collection, which puts a deserved spotlight on both long-forgotten records by established artists and on fabulous obscurities by long-forgotten artists. But rest assured, this is a cracking compilation from start to finish, with Southern swamp rock, spicy New Orleans rhythms and Northern city blues. Guitar and sax-led rockers, slinky organ stompers, Latin groovers – all in all, 60 mighty instrumental stompers from 1958, R&B-style. RANDB045 …cracking albums of often rare bluesy instrumentals…sexy, saxy and groovy keyboards aplenty! These fantastic sets are definitely full fat! Brilliant and what value! Dave Peckett Gandy Dancer
  • Part of the 'History of Soul' series but a pleasure in its own right, this CD bears witness to the creation of a distinctive, smooth soul sound made in Chicago in the early 1960s that we associate with such legendary figures as Curtis Mayfield, Betty Everett and McKinley Mitchell. Black music was transitioning between R&B and soul at this time, and vocal groups were introducing a new gospel sensibility into their songs.

    The accompanying booklet is written by Robert Pruter, author of the acclaimed 'Chicago Soul'.

    'Contains some absolutely stunning tracks and I applaud the compilers for their selection. To add icing on the cake, the booklet is in the Ace/Kent league when it comes to sheer size and quality written by no other than Robert Pruter.' Keith Rylatt – Manifesto Soul Magazine

    This fine collection brings together the cream of Windy City soul from the years 1950 to 1962. As is often the case with these types of compilations, it's the obscure cuts that make them worthwhile and this one is no exception. Roots & Rhythm

    SOUL001 Includes original 28 page booklet by Robert Pruter and CD inlay. Produced as CD-R (recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Promo CD for the 8CD box set

    In a comprehensive overview from 1927 to 1963, History of Soul Records’ 8CD anthology covers the genesis of soul music, tracing connections between R&B, jazz and blues, and gospel, the secular and the sacred. As popular black musical genres were adopted by white teenage audiences in the 1950s, black music reverted to more authentic, basic styles. By 1960, the sound of black popular music had turned away from a driving, largely uptempo rhythm and blues towards a more emotionally poignant style. The term ‘soul’ popped up here and there, but only became common parlance after the release of Ray Charles’s I Believe To My Soul at the end of 1959.

    The growing Civil Rights movement, the rise of the 45rpm record and the introduction of the electric guitar all played their part in the creation of a new sound. Detroit had Berry Gordy’s Motown, Chicago had Curtis Mayfield and the Impressions and New York had Atlantic Records along with white songwriters Burt Bacharach and Jerry Ragavoy producing their uptown soul. Down south, Stax was setting Memphis alight, Fame were starting up in Muscle Shoals, and New Orleans was putting funk into the mix. By 1963, soul had gone mainstream. There were more soulful records in the charts in 1962 alone than there had been in the whole of the 1950s.

    This collection of breathtaking blues and spiritual music brings you some of the most impassioned, compelling vocal performances ever to be recorded. The accompanying illustrated 36-page book sets out the historical background and explains some of the technical features that make these beautiful songs the precursors of soul music.

    WHAT THE CRITICS SAY

    This one is a corker...every bit as epic as it sounds... It’s hard to know where to begin with such a monumental and thorough anthology – especially one as full of highlights as this

    Lauren Laverne BBC 6 Music

    Mammoth and magnificent anthology...While there can be no package large enough to represent all the players, Sacred To Secular has a worthy stab at it, excavating as close as possible to the core and acting both as a cultural document and an excellent crash course in one of music’s most epochal periods. Fiona Sturges Uncut

    Embrace this journey through a lost era...the real thrill lies in discovering lesser names especially from the fringes of gospel, whose work is every bit as stirring Clive Davies Sunday Times 

    It’s common knowledge that soul developed largely from gospel; but that journey has never been as extensively mapped as on this eight-CD compilation 5 star review in The Independent

    SOUL021
  • The black music scene in post war America was dominated by the emerging urban, electrified R&B scene in Chicago. Nearby Detroit was musically dwarfed, with much of its talent being drawn to the Windy City, but as the 50s drew to a close, things began to change. Detroit’s population bulge coincided with the consumer boom, making its age profile younger than its neighbour’s. Thousands of southern black migrants were joined by many immigrants from Europe come to work in the automobile industry. Henry Ford’s pay was good, and with plenty of disposable income available for its inhabitants, Detroit became the goodtime capital of the USA.

    Hundreds of bars, clubs and backroom record labels emerged, hosting a tidal wave of new talent. By 1960, although it was still too early for any definitive Detroit sound to be identifiable, the city was developing a lighter, more popular style than neighbouring Chicago. It was spearheaded by a young man from Gladstone Street, whose distinctive Motown sound went on to dominate the 60s pop charts.

    The tracks on these CDs represent the cream of this transitional pre-Motown era, when various labels, artists and producers were putting out popular music that they hoped might get noticed and sell enough to make them rich and famous. In 1963, Detroit had by far the fastest growing black music industry in the USA, not just recorded music but a live gig scene just as prolific. Back then no one knew that Berry Gordy Jr would emerge victorious and define the Detroit sound for the decade that followed.

    Sit back and enjoy another batch of Detroit gems.

    In the 32 page booklet, each track is given a quarter-page with details of the release plus label shots, period photographs and interesting notes from Keith Rylatt...Overall this is terrific music with great presentation and is a real source for discovery...This compilation should appeal to all readers who have soul in their system... An excellent release and worth investigating. Blues & Rhythm Keith Scoffham

    As with previous History Of Soul product reviewed on this site, the selection has been well thought-out and the presentation is top-notch, appeal here going well beyond the core niche of Detroit devotees.' Basement Group David Cole. STAR PICK*****

    SOUL023 Includes original 28 page booklet by Keith Rylatt and CD inlay. Produced as CD-R (recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Dance crazes have come and gone in America ever since the roaring twenties, but nothing quite compares to the epidemic of dance fever that hit the USA in the early 60s brought on by the twist and the rise and rise of soul music. The country was infected by wave after wave of catchy dance rhythms, each necessitating new moves on the dance floor. Everybody was getting a bit of that new soul bug! This collection brings you only a small proportion of the 100s and 100s of dance records produced between 1960 and 1965, before the soul industry got away from the promotion of dance records. There may have been dance rages in the next several decades, but nothing else comes even close to the 1960s for its sheer energy and diversity.

    SOUL031 Includes original 28 page booklet by Robert Pruter and CD inlay. Produced as CD-R (recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Volume Two 1962-1965 African American popular music was mostly known as Rhythm and Blues in 1962, the beginning of the era covered in this collection. But by the end of the period, 1965, the music was universally called Soul. The Chicago music industry exploded with the growth of soul music in this period, producing thousands of records and dozens and dozens of new labels. The two biggest black music labels Vee-Jay and Chess led in the creation of the Chicago soul brand with names familiar and not so familiar: the former with Etta James and Tony Adams and the latter with Gene Chandler and Moss Tolbert. And yet it's the smaller labels that make up the bulk of the Chicago story: Conlo with Jamo Thomas, Blue Rock with Otis Leaville, Ja-Wes with Sandra Stephens and it's here that we explore some of the finest sounds of the era in this collection.

    SOUL032 Includes original 28 page booklet by Robert Pruter and CD inlay. Produced as CD-R (recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.