Harry South

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    SIDE ONE 1. Minor Incident Dick Morrissey Quartet 2. Slidin' Ronnie Ross Quintet 3. Southern Horizons The Downbeat Big Band 4. Liggin' Joe Harriot Quintet 5. Orient Line Tubby Hayes & His Orchestra 6. Jazz At The Paris Harry South Big Band SIDE TWO 1. Storm Warning Harry South Big Band 2. Raga (edit) Harry South Big Band 3. Sound Of Seventeen Harry South Big Band 4. Newtyme Waltz Harry South Big Band 5. The Goblin Harry South Big Band 6. Six To One Bar Harry South Big Band 7. Signing Out Harry South R&B12
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    SIDE ONE 1. Down Home 2. Love For Sale 3. I Married An Angel (take one) 4. I Married An Angel (take two) 5. Landslide 6. Announcements SIDE TWO 1. Down Home (take one) 2. Minor Incident 3. Gypsy 4. Bang (take one) 5. Bang (take two) 6. Down Home (take two) 7. Announcements R&B18
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    SOUTH VENTURE SIDE ONE 1. Sunny Hebb 2. Dawn Yawn Powell 3. Lovey Dovey Curtis/Ertegun 4. Papa’s Got A Brand New Bag Brown 5. Keep Your Big Mouth Shut Hendricks 6. Three Blind Mice Hendricks SIDE TWO 1. Down For The Count Foster/Hendricks 2. Lil' Darlin' Hefti/Hendricks 3. Little Pony Hefti/Hendricks 4. Call Me Hatch 5. Uptight Cosby/Moy/Wonder 6. You'll Never Leave Him Berns 7. Fame Interview 8. Lulu Interview R&B38
  • As the UK fired up to the 'White Heat' predicted by its new Prime Minister Harold Wilson, the nation's jazz scene was already aglow with talent, both established and up and coming. Indeed, London was a boiling crucible of jazz invention, mixing R&B, Hard Bop and a pinch of the Avant-Garde to forge its very own alchemic brand of jazz. Soho Scene '64/'65 captures this moment perfectly, a time when The Beatles and Bond were both new and fresh and when Brit-Jazz sounded as colourful and swinging as anything sashaying down Carnaby Street. Booklet notes by Simon Spillett RANDB058 I love this series. Since every track is different, dynamic and tasty, you can listen straight through without ever looking up… Where American big-band jazz trailed off in the early 1960s Britain continued to develop the genre further and with gusto… the U.S. sides are funky and off the beaten path, making for a wonderful juxtaposition between jazz evolution in London and the U.S. during the exact same two-year period. It's all here on this new set and series. Grab your Lambrettas! Marc Myers Jazzwax.com
  • Sale!
    An exemplary tribute to an unjustly neglected figure - Richard Williams A perfect potted history of the period - Dave Gelly, The Observer An overdue recognition of the genius of Harry South and the world class calibre of the musicians he worked with. An important landmark in British Jazz and indispensable to any collection. – Eddie Little Superb tribute to a stalwart jazz pianist,composer and arranger. Excellent booklet notes by saxophonist Simon Spillett. Highly recommended – Amazon Superbly annotated, this is a reissue of exemplary quality – Peter Vacher, Jazz Rag The Songbook is the definitive Harry South release…makes a strong case for South’s musical contributions to jazz…Lovers of modern big band jazz will find much to discover in this well-conceived set.  Scott Yanow - The New York City Jazz Record RANDB040
  • 1966-1967. Two years of seismic change in UK history, a time of World Cup wins, of psychedelic 'happenings' and Sgt. Pepper, when London's streets rocked to the sight of mini skirts and Mini Coopers and home-made British pop culture - drawing in everything from satire to sitars - really did look likely to change the world. British jazz was growing too. Having defined itself through the razor-sharp cool of 'modernism', by '66 it was ready to loosen its collar and let its hair down, feeding directly from an anarchic new breed of young musicians able to move between styles as never before, allowing everything from the avant-garde to R&B colour their work. London was now swinging in every direction, like some vast kaleidoscopic merry-go-round. This, then, is the story of those British jazzmen who came along for the ride, some clinging on with white-knuckles and gritted teeth, others enjoying the trip of their lives. Booklet notes by Simon Spillett RANDB062 The set is magnificent… serves as a wonderful bridge spanning the Atlantic, pulling the two jazz cultures together. The Brit-jazz tracks in '66 are sensational. One after the next is rich with energy, power and guile as groups such as the Michael Garrick Sextet, the Stan Tracey Quartet, the Don Rendell/Ian Carr Quintet and Gordon Beck Trio tear neatly into originals. The American tracks from the same year are largely little-known jazz-funk and soul-jazz pieces. The set is smartly curated... All have locked-in grooves and are tasty. The 1967 material is even stronger…And yes, every single track is outrageously excellent. There's no filler here. And the sound is very good. I'll be listening to this set several additional times between now and the end of the weekend. Once again, a superb job by R&B Records. Hats off to the set's producer/editor. Great choices all. Mark Myers Jazz Wax
  • SIDE ONE 1. Down Home 2. Love For Sale 3. I Married An Angel (take one) 4. Landslide 5. I Married An Angel (take two) 6. Announcements1. 7. Down Home (take one) 8. Minor Incident 9. Gypsy 10. Bang (take one) 11. Bang (take two) 12. Down Home (take two) 13. Announcements R&B18 SLIMLINE Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • 1. Storm Warning Harry South Big Band 2. Raga (edit) Harry South Big Band 3. Sound Of Seventeen Harry South Big Band 4. Limited Freedom Harry South Big Band 5. Southern Horizons Joe Harriot Quintet 6. Minor Incident Dick Morrissey Quartet 7. Black Eyed Peas Harry South Big Band 8. The Sweeney Harry South Big Band 9. 4 Dimensions Of Greta Harry South Big Band R&B12
  • Sale!
    As the UK fired up to the 'White Heat' predicted by its new Prime Minister Harold Wilson, the nation's jazz scene was already aglow with talent, both established and up and coming. Indeed, London was a boiling crucible of jazz invention, mixing R&B, Hard Bop and a pinch of the Avant-Garde to forge its very own alchemic brand of jazz. Soho Scene '64/'65 captures this moment perfectly, a time when The Beatles and Bond were both new and fresh and when Brit-Jazz sounded as colourful and swinging as anything sashaying down Carnaby Street. Booklet notes by Simon Spillett RANDB058 I love this series. Since every track is different, dynamic and tasty, you can listen straight through without ever looking up… Where American big-band jazz trailed off in the early 1960s Britain continued to develop the genre further and with gusto… the U.S. sides are funky and off the beaten path, making for a wonderful juxtaposition between jazz evolution in London and the U.S. during the exact same two-year period. It's all here on this new set and series. Grab your Lambrettas! Marc Myers Jazzwax.com Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) An exemplary tribute to an unjustly neglected figure - Richard Williams A perfect potted history of the period - Dave Gelly, The Observer An overdue recognition of the genius of Harry South and the world class calibre of the musicians he worked with. An important landmark in British Jazz and indispensable to any collection. – Eddie Little Superb tribute to a stalwart jazz pianist,composer and arranger. Excellent booklet notes by saxophonist Simon Spillett. Highly recommended – Amazon Superbly annotated, this is a reissue of exemplary quality – Peter Vacher, Jazz Rag The Songbook is the definitive Harry South release…makes a strong case for South’s musical contributions to jazz…Lovers of modern big band jazz will find much to discover in this well-conceived set.  Scott Yanow - The New York City Jazz Record RANDB040
  • Sale!
    1966-1967. Two years of seismic change in UK history, a time of World Cup wins, of psychedelic 'happenings' and Sgt. Pepper, when London's streets rocked to the sight of mini skirts and Mini Coopers and home-made British pop culture - drawing in everything from satire to sitars - really did look likely to change the world. British jazz was growing too. Having defined itself through the razor-sharp cool of 'modernism', by '66 it was ready to loosen its collar and let its hair down, feeding directly from an anarchic new breed of young musicians able to move between styles as never before, allowing everything from the avant-garde to R&B colour their work. London was now swinging in every direction, like some vast kaleidoscopic merry-go-round. This, then, is the story of those British jazzmen who came along for the ride, some clinging on with white-knuckles and gritted teeth, others enjoying the trip of their lives. Booklet notes by Simon Spillett RANDB062 The set is magnificent… serves as a wonderful bridge spanning the Atlantic, pulling the two jazz cultures together. The Brit-jazz tracks in '66 are sensational. One after the next is rich with energy, power and guile as groups such as the Michael Garrick Sextet, the Stan Tracey Quartet, the Don Rendell/Ian Carr Quintet and Gordon Beck Trio tear neatly into originals. The American tracks from the same year are largely little-known jazz-funk and soul-jazz pieces. The set is smartly curated... All have locked-in grooves and are tasty. The 1967 material is even stronger…And yes, every single track is outrageously excellent. There's no filler here. And the sound is very good. I'll be listening to this set several additional times between now and the end of the weekend. Once again, a superb job by R&B Records. Hats off to the set's producer/editor. Great choices all. Mark Myers Jazz Wax Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.