RNB CDs

  • Country blues and club blues; drinking songs and risqué songs; vocal groups and instrumental combos. From bebop to boogie, gutbucket to gospel, honkin’ and screamin’ to low down and dirty rock’n’roll; 112 tracks and not a dud in the bunch! RANDB078 5CD
  • Manchester Free Trade Hall was host to two concerts on Sunday October 21st 1962 that acted as a catalyst to the nascent British Blues & R&B boom, on the verge of breaking out of its suburban home in Ealing, West London. The shows were promoted by Stockport-based Paddy MacKiernan under the Jazz Unlimited banner and attracted a crowd of around two thousand enthusiasts, who saw the first major concert in Britain to feature American bluesmen. Manchester was the only UK date on the 1962 American Folk-Blues Festival tour and it was attended by blues fans from all over the country through what Paul Jones called ‘the bush telegraph’. With Jones were Alexis Korner and Macclesfield-born John Mayall, plus extraordinarily a contingent of younger fans who had made the trip in a clapped out van from London. Why extraordinary? Because the van contained some of the future superstars of the British scene: Mick Jagger, Keith Richards, Brian Jones and Jimmy Page. The Stones by this time had just a dozen gigs under their belts and Page had recently embarked on the first stage of his career as a session guitarist. David Williams dedicates a whole chapter to the road trip in his book The First Time We Met The Blues. “It must have been around early September 1962 when news filtered down the grapevine…We could hardly believe that real blues artists were going to appear here in our country…were regarded somewhat like mystic gods within our circle…(Jimmy Page) realised that he would not be able to make the journey with us as he was already booked to play a gig with Neil Christian on the Saturday night…it was agreed Jim would travel up by train on the Sunday and we would find space for him in the van for the journey back overnight…Graham (Ackers) was a pretty good driver and soon managed to find his way through Central London to a square ...where we picked up Mick, Keith and Brian.” Keith Richards remembers it differently, “Mick sometimes had the use of his parents’ Triumph Herald at the weekend and I remember we went to see a big blues show in Manchester.” Jimmy Page: “When David Williams told me of the impending visit of the initial American Folk-Blues Festival to England, I was keen to join the pilgrimage to Manchester. It was not only the first time that I would actually see artists like John Lee Hooker and T-Bone Walker perform, but it was also the first time I met Mick Jagger, Brian Jones and Keith Richards, who came with us on the trip. We were all like-minded enthusiasts and in those days we regarded the artists we were going to see as idols.” ABC TV filmed the second show and broadcast it in two parts for its Tempo programme. The recordings (from the Newby collection) are of excellent sound quality and were taken off air by direct line into a Tandberg reel to reel recorder. RANDB059
  • Includes fully illustrated booklet. Clarksdale, Mississippi: birthplace of Ike Turner, Sam Cooke, John Lee Hooker and Son House and home to five taverns visited by Library of Congress researcher Lewis Wade Jones in 1941. In each of these taverns, the Chicken Shack, the Dipsie Doodle, Lucky's, the Messenger's Cafe, and the New Africa, a jukebox. In each jukebox, a choice of records, painstakingly listed by Jones, who figured it was worth it. And now, sitting down in the comfort of your own home, you can pull yourself a beer and listen to the sounds that a 29 year-old Muddy Waters from nearby Stovall might have heard on a night out in Clarksdale on 9th September, 1941. Thanks, Lewis! After reading the impeccable illustrated booklet, all that’s left is to close th eyes, leaving for Clarksdale in 1941, push open the door to any tavern and slip a coin into the music box...magic! Le Pied It’s a brilliant idea, but of course, it stands or falls by the quality of the music on offer. But it stands...boy does it stand...this is blues as pure unadulterated joy...the history crackles from the speakers and blues fans – and indeed fans of good music generally – should beat a path to this album forthwith. Jeremy Searle R2   This is not only a great collection of music it's a significant historical document. A delightful and truly fascinating collection. Frank Scott Roots & Rhythm Overall across the four discs (77 +, 76 +, 74 +, 75 + minutes each) the sound is good/bordering on very good--especially for so many recordings from several labels--recorded from 1938-1941. While the sound has been cleaned up it still has that period warmth and feel which adds to the authenticity. There's occasional surface noise but nothing that gets in the way of enjoying the music. The 18 page booklet has details for each single--title, composer, artist, label, recording date--plus an essay reprinted from 1971 that includes pertinent information about the music/era, and a few photos of performers and other pertinent ephemera. This set is worth five "stars" not only because of the music/artists found that day, but also for the Rhythm and Blues label having the foresight and the chestnuts to release something as important as this. Blues fans looking for authentic music, the kind that patrons of those five clubs listened to using their hard earned nickels in juke boxes, as they drank with friends will find many surprises found on those juke boxes. This collection is from a two year field study of culture in the Mississippi Delta region during the summers of '41 and '42 in conjunction with the Archive of American Folk Song--Library of Congress & Fisk University. If you're a deep blues fan read "Lost Delta Found" and there you'll see one section that lists "Records on Machines in Clarksdale Amusement Places", that lists all the songs. Obviously this collection is the real-deal authentic music heard in that region (and no doubt other areas) in the 1940's. There's no guess work, no random inclusion of songs/performers that fit comfortably in the "juke joint" mould of what people may envision as from that era. Because of the authenticity of the cultural study and Jones' work, this is one of the most important (and eye-opening) collections of music in the blues genre. Plus it makes for darn good listening. Blues fans/blues scholars will have a field day with this fine set--it upsets what many of us thought "juke joint music" was. But the juke box changed all that. It's the music that working people heard after a day of hard work while drinking and relaxing with their friends. On all accounts this collection has to be one of the most authentic, important releases in the blues genre for 2016. Many tracks aren't what people may think of as juke joint music, but the juke box ushered in a new era of music in taverns and local joints all across the South. But more than that--it's just great music. Stuart Jefferson Amazon RANDB036 BONUS CD available free if you order the set from us direct
  • Outtakes, Stereo Versions and Album Tracks The accompanying 24-page booklet includes many rare photos and an exhaustive session discography by Claus Röhnisch. A collection for Coasters and early rock 'n' roll aficionados! The Coasters had the benefit of recording in the best studios, backed by the best musicians and produced by the top producers of their generation, Leiber and Stoller. Naturally, they were required to run through as many takes of each song as was necessary to satisfy the exacting demands of their mentors. Luckily for us, many of these alternate takes have survived. Mono was the standard recording format until the late 1960s, but many of the big selling artists also recorded alternate versions specifically for the stereo market, which was targeted to the discerning adult listener. Disc One features all the alternate stereo versions of Coasters songs that were issued at the time on album and subsequently on CD. Disc Two takes you deep into the heart of Coasters sessions with composite tracks which combine studio chatter together with the finest moments from various different takes. This disc contains several outtakes which have until now been unavailable anywhere and gives an invaluable insight into the genesis of many well-loved tracks and also into the character and working practice of the Coasters and of their producers Jerry Leiber and Mike Stoller. R002
  • Includes fully illustrated booklet. The Coasters are widely considered to be the pre-eminent vocal group of the original rock ´n´ roll era both in sound and attitude, and to have created some of the best vocal group harmonies ever waxed. They had made their musical debut as the Robins during the early years of rhythm and blues and as the Coasters they contributed to shape rock'n'roll with some of the most cheeky, exciting and entertaining songs of the 50s. The original line-up disbanded early but the crucial team of singers and their mentors Jerry Leiber and Mike Stoller, moved from California to New York and created most of the greatest hits we know today. They were important influences for many later artists who covered their songs, such as the Beatles, the Stones, the Who and the Kinks. This compilation includes 19 hits listed in the Billboard pop and R&B charts between 1956 and 1962 and an accompanying 24-page booklet with many rare photos and notes on the group's evolution. Superlative compilations of essential American music history Not many groups of any kind can claim to have such a distinct influence on pop and rock n roll music as The Coasters. Their lengthy string of iconic hits, mostly courtesy of the pen of their mentors and genius song writing team Leiber & Stoller, and also their unique blend of personality and vocal harmony, took the mixture of doo wop, rock n roll, soul and jazz to new territory, and put them at the pinnacle of the original Rock n Roll and R’n’B era. Covered by everyone from The Beach Boys, Elvis, Zappa, Leon Russell, Alex Harvey, the Grateful Dead, these tunes were also central to the Brit Beat boom of the early 60s (Hamburg-era Beatles’ live set was heavy on Coasters covers). In addition, it’s difficult to understate the sheer magnitude of their influence on popular music; Put simply; these are the explosive and innovative bricks and mortar of all the rock n roll and R’n’B you’ve ever loved. These two new lavishly packaged and annotated double CD collections from the ‘History of RnB’ stable certainly do justice to the legacy and the fantastic energy of this incendiary, funny, and entertaining music. This is energetic music that screams youth, attitude and sass, with jokes, wit, satire and risque humour in spades (the likes of ‘Little Egypt’ were banned on release) that even after all this time still leap from the speakers at full pelt. The Definitive Coasters – The A & B sides collects both sides of the groups first 30 7” singles from their faultless run comprising 1954 to 1962. As such, the crammed-full first disc of A-Sides is as damn near perfect as an 80 minute receptacle of music can conceivably be, and an essential inclusion for anyone with even a passing interest in the development of American music. The B sides disc, quite understandably, has a moderately lower strike rate, and features some less exceptional ballads when compared with the vibrancy of the revolutionary hits, however its hard to argue with the likes of the genuinely funky ‘Turtle Dovin’ and ‘What is the Secret of Your Success’ which both rank as high as any A-Side. Absolutely essential. Those Hoodlum Friends…Coasters in Stereo comprises 49 tracks of rare stereo takes of some of the hits and also key album cuts and out-takes, as well as a full disc packed with composite studio tracks and alternate versions and studio chatter from the archive, many of which have never been released before. Jazz standards like ‘Moonglow’, ‘Autumn Leaves’, ‘Moonlight in Vermont’ and ‘Sunny Side of the Street’ are recorded with orchestras and show a more polished traditional jazz and balladeering side to their style, which although perfectly good is not quite as exciting as their more forthright material. While many early stereo recordings are inferior to their mono comparisons, the mixes here are sharp, luxurious and well defined. Definitely one for the already converted, collectors and connoisseurs, but it’s a look at this important music from a slightly altered angle (‘Run Red Run’ and ‘The Snake and the Bookworm’ offer very fresh perspectives in their alternate forms). Both these generous collections are finely packaged, expertly compiled sets, that are lovingly annotated with encyclopedic attention to detail. History has never been so much damn good fun! Ian Fildes AmericanaUK 9/10 A simply fabulous collection! If you missed out on the limited edition four CD set issued by Rhino Handmade in 2007 the History Of RnB label comes to the rescue with two double sets featuring everything that this fabulous group recorded for Spark and Atco between 1954 and 1962 including a couple of items that were not on the Rhino set but omitting the post 1962 recordings which were generally not as good as the earlier sides. Set comes with 24 page booklet with informative notes, rare photos, label shots and posters. A fabulous set with great sound. Roots & Rhythm R001
  • ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB030 DVD style casing Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    An excellent invitation to this ground-breaking music. Well worth tracking down. Gary Von Tersch Big City Rhythm & Blues R&B records is one of those dedicated labels which just keeps on giving. The first five volumes of this assiduously researched and compiled series have been an utter revelation, opening up corners of R&B history many of us never knew existed. Seeing as the term ‘R&B’ wasn’t invented in 1938, some of us could be forgiven for imagining that the genre we later became familiar with didn’t stretch back past the 1940s. How wrong we’d be. Throughout this amazing collection there’s more great names than you can shake a stick at. Spending an evening in with this quartet of discs and a few beers is a fine way to spend your time - and there are new names here offering new thrills. And all this, before I was born. Those were the days, indeed. Essential listening! Roy Bainton Blues Matters Now here we are really talking about going back to the roots with World War II lurking just around the corner…there is a sense of early rock'n'roll with The Golden Gate Jubilee and Bob Wills…Big Noise From Winnetka with Bauduc & Haggard is really Big Noise with is a stand-up bass that any rockabilly bassist in the world would be jealous of…The raw guitar sound on Blind Boy Fuller’s "You've Got To Move It On" I think will never be recreated... After listening through the collection you should understand how everything is interrelated. How Chuck Berry got his sound and how, among other things, Beatles and Rolling Stones became what they became. A collection of canons in my opinion and a booklet accompanies the records where there is very good info about the artists and the groups. Jonas Andersson American Music Magazine I have listened to almost nothing but this chronology in the past evenings, but I still feel that I have only just been knocking at the door of a rich treasure trove. Famous names and well-known songs are alternated with rare and unexpected tracks on the four CDs. What makes these sets so special is that they are not a dry and dusty exercise in musical archeology. What they present will be a revelation even for the most enthusiastic R & B enthusiast. Eric Schuurmans Rootsville   RANDB047
  • With 8 page booklet ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB031 DVD style casing Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Includes fully illustrated booklet. RANDB025
  • Sale!
    Includes fully illustrated booklet. When many of these records were cut I was 4 years old and playing in the rubble of a bombed-out Hull, courtesy of the Luftwaffe. Back then, in the UK, any one of these 111 (yes, 111 even!) tracks would have given the BBC a coronary thrombosis because the nearest we got to black music was the bellowing burnt cork of Al Jolson. Following the previous R&B Anthology sets from R&B Records, I knew I’d be in for more thrills with this and I’m not disappointed, yet restricted wordage here precludes a full ecstatic overview. However - if you thought big strident in-your-face electric guitar chords arrived in the 1960s, check out 1947’s Midnight in The Barrel House by Johnny Otis. And there’s Dizzy Gillespie, Mahalia Jackson and even Hank Williams and Merle Travis. Needing wild, wanton and utterly danceable? You need Fluffy Hunter and Buddy Banks with the manic piano of Fluffy’s Debut. Disc 2 is replete with rare gems too. The sorely neglected Andrew Tibbs pre-empting Jerry Lee Lewis’s Wine Spodey-Odey by over a decade with the rousing Drinking Ink Splink. This is a magical mystery tour with Madam Ira Mae Littlejohn’s boisterous Go Devil Go and even a 1947 Muddy Waters with Gypsy Woman, contrasting nicely with the raucous front porch fiddling of Harry Choates and his Hackberry Hop. By the time you reach disc 3 you feel like you’ve drunk a half bottle of Bourbon. Amos Milburn kicks in with a rolling Chicken Shack Boogie, the sinister, dark and energetic 1948 cut of Hooker’s Boogie Chillen, Nellie Lutcher’s uplifting Fine Brown Frame and the honking saxes of The Twister by Paul Williams, the scintillating acapella harmonies of the Swan Silvertone Singers. Disc 4 boogies along just as agreeably with The Beale Street Gang’s Fat Stuff Boogie, followed by Arthur Smith’s seminal guitar hit, Guitar Boogie, there’s more 1948 Muddy Waters, a bouncy Pettin’ and Pokin’ by Louis Jordan and 20 other delights. This hefty collection curated by Nick Duckett, who also provides the entertaining liner notes, feels like stumbling into a sealed cave of musical pirate treasure; golden nuggets, jewelled crowns, dancing diamonds and rhythmic rubies. Sometimes musical history can jolt you from the terror and torpor of the present and take you to a long forgotten place of joy. That may sound like Pseud’s Corner, but these R&B Anthologies do it for me. Try it - you’ll be well rewarded. ROY BAINTON RANDB024
  • Sale!
    Includes fully illustrated booklet. ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB023
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) Includes fully illustrated booklet. ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB023
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) Includes fully illustrated booklet. When many of these records were cut I was 4 years old and playing in the rubble of a bombed-out Hull, courtesy of the Luftwaffe. Back then, in the UK, any one of these 111 (yes, 111 even!) tracks would have given the BBC a coronary thrombosis because the nearest we got to black music was the bellowing burnt cork of Al Jolson. Following the previous R&B Anthology sets from R&B Records, I knew I’d be in for more thrills with this and I’m not disappointed, yet restricted wordage here precludes a full ecstatic overview. However - if you thought big strident in-your-face electric guitar chords arrived in the 1960s, check out 1947’s Midnight in The Barrel House by Johnny Otis. And there’s Dizzy Gillespie, Mahalia Jackson and even Hank Williams and Merle Travis. Needing wild, wanton and utterly danceable? You need Fluffy Hunter and Buddy Banks with the manic piano of Fluffy’s Debut. Disc 2 is replete with rare gems too. The sorely neglected Andrew Tibbs pre-empting Jerry Lee Lewis’s Wine Spodey-Odey by over a decade with the rousing Drinking Ink Splink. This is a magical mystery tour with Madam Ira Mae Littlejohn’s boisterous Go Devil Go and even a 1947 Muddy Waters with Gypsy Woman, contrasting nicely with the raucous front porch fiddling of Harry Choates and his Hackberry Hop. By the time you reach disc 3 you feel like you’ve drunk a half bottle of Bourbon. Amos Milburn kicks in with a rolling Chicken Shack Boogie, the sinister, dark and energetic 1948 cut of Hooker’s Boogie Chillen, Nellie Lutcher’s uplifting Fine Brown Frame and the honking saxes of The Twister by Paul Williams, the scintillating acapella harmonies of the Swan Silvertone Singers. Disc 4 boogies along just as agreeably with The Beale Street Gang’s Fat Stuff Boogie, followed by Arthur Smith’s seminal guitar hit, Guitar Boogie, there’s more 1948 Muddy Waters, a bouncy Pettin’ and Pokin’ by Louis Jordan and 20 other delights. This hefty collection curated by Nick Duckett, who also provides the entertaining liner notes, feels like stumbling into a sealed cave of musical pirate treasure; golden nuggets, jewelled crowns, dancing diamonds and rhythmic rubies. Sometimes musical history can jolt you from the terror and torpor of the present and take you to a long forgotten place of joy. That may sound like Pseud’s Corner, but these R&B Anthologies do it for me. Try it - you’ll be well rewarded. ROY BAINTON RANDB024
  • (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) Includes fully illustrated booklet. RANDB025
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) An excellent invitation to this ground-breaking music. Well worth tracking down. Gary Von Tersch Big City Rhythm & Blues R&B records is one of those dedicated labels which just keeps on giving. The first five volumes of this assiduously researched and compiled series have been an utter revelation, opening up corners of R&B history many of us never knew existed. Seeing as the term ‘R&B’ wasn’t invented in 1938, some of us could be forgiven for imagining that the genre we later became familiar with didn’t stretch back past the 1940s. How wrong we’d be. Throughout this amazing collection there’s more great names than you can shake a stick at. Spending an evening in with this quartet of discs and a few beers is a fine way to spend your time - and there are new names here offering new thrills. And all this, before I was born. Those were the days, indeed. Essential listening! Roy Bainton Blues Matters Now here we are really talking about going back to the roots with World War II lurking just around the corner…there is a sense of early rock'n'roll with The Golden Gate Jubilee and Bob Wills…Big Noise From Winnetka with Bauduc & Haggard is really Big Noise with is a stand-up bass that any rockabilly bassist in the world would be jealous of…The raw guitar sound on Blind Boy Fuller’s "You've Got To Move It On" I think will never be recreated... After listening through the collection you should understand how everything is interrelated. How Chuck Berry got his sound and how, among other things, Beatles and Rolling Stones became what they became. A collection of canons in my opinion and a booklet accompanies the records where there is very good info about the artists and the groups. Jonas Andersson American Music Magazine I have listened to almost nothing but this chronology in the past evenings, but I still feel that I have only just been knocking at the door of a rich treasure trove. Famous names and well-known songs are alternated with rare and unexpected tracks on the four CDs. What makes these sets so special is that they are not a dry and dusty exercise in musical archeology. What they present will be a revelation even for the most enthusiastic R & B enthusiast. Eric Schuurmans Rootsville   RANDB047
  • (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) See tracklisting for (RANDB037, RANDB045 PLUS RANDB054 11 CDs IN ONE BOX)
  • (shipped with booklets, slipcase and CD inlays but without jewel case for cheaper airmail and less problems with EU customs) See tracklisting for (RANDB010, RANDB041 PLUS R012 6 CDs IN ONE BOX)
  • (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs)

    36 Page illustrated booklet.

    By the beginning of 1963, African-American music in New Orleans was in flux. Its happy-go-lucky R & B sound was no longer guaranteed to hit the national charts. In short, the good times in the city had run out of steam. The major issue now was what sort of music to record in the wake of the “British Invasion”. The answer of course was “soul”. Until soul became the ubiquitous African-American musical style, the music that was recorded in the city was a Louisiana gumbo of blues, R & B, gospel, swamp pop, anything and everything that might sell a few records.

    This set of CDs is the story of how one city, New Orleans, with its unique, proud and energetic history came to adopt soul music and how its music producers and arrangers came to utilise the styles of soul music being made in other cities of the US and to adapt them to the rhythms and approaches that made New Orleans so different to every other soul city USA.

    These CDs are also a tribute to the little labels, whose sound became the heartbeat of the city, playing out onto the streets from jukeboxes, radio stations and mom-and-pop stores selling a few 45s as a sideline. Most of the tracks on these CDs have never been released since the day that the vinyl was first stamped. This is New Orleans African-American music at its most potent. The sound of the young of the city as they heard it and played it two generations ago. RANDB052 You could drop the coin on any disc at random hear something hot. Fred Rothwell Blues & Rhythm With this latest History Of Soul release, New Orleans music fans should be in seventh heaven. David Cole Soul Basement (shipped with booklet and CD inlays but without jewel case to cut down on foreign postage)
  • The History of Rhythm & Blues Volume Three 1952-1957
    Reviews Volume One A cross-label 4CD set, which not only tells the story better than anything before, but offers insights into song origins and provides fascinating musical connections across decades…offers a wealth of insights into the cross-pollination of blues, jazz, country, gospel, pop and rock. – Johnny Black, Mojo One of the finest box-sets of recent years…finely chosen set of tracks… the reissue of the year by a country mile…Anyone who’s heard Volume One will be counting down the days (to the release of Volume Two)… the sets will become the standard work on the genre – Jeremy Searle, RocknReel It’s difficult to imagine any set doing a better job of tracing the roots of R&B – Steve Leggett, All Music Guide Volume Two There’s so little on this box set that I wouldn’t be overjoyed to play you… an absolutely essential purchase - Mark Lamarr BBC Radio Two Fellow addicts will already have many of the tracks, but purchasing them again to have them put in the context of blues development should be a joy rather than a hardship.… As a whole package, it is irresistible and should be an essential on the shopping list of all self respecting r’n’b junkies - David Innes R2 The History of Rhythm and Blues 1942-52 is just splendid, it's a labour of love and a work of supreme scholarship, put together by people who obviously care. From boogie men to boppers, hillbilly's to honkers it is beautifully programmed and has polished some dusty old gems into a relevant and modern work of art. Compilations of the music of any genre from history are ten a penny these days, thrown together with little thought for anything bar profit. This is something else, something very special indeed. It realises that recorded music has a place in social history, its own mythology, a narrative and in its four discs and lovingly annotated 68 page book, it tells that story. So as well as the fabulous and joyful music, we get thoughts on the development of radio, the race laws of early 20th century America and the migration of workers, the jukebox phenomenon and even technical information about patterns in the 12 bar blues form. The compilers of this set have created a desirable object every bit as a precious as a memory, as valuable as a necklace, they are heroes of the gramophone, the record player, the cd machine. Just buy it, you won't go far wrong. - Ian Clayton Among a plethora of such comps…frankly, it’s probably the best of its kind. Whether you want to learn more about the genre or have been listening for years, this collection leaves others eating its dust. – Laith Al-Kaisy Record Collector Volume Three Well what a set this one is… it is not JUST the music that makes it so valuable (I nearly wrote important)…The 68 page booklet (fully illustrated with labels, photos and billboards) is an exemplar of how these things should be done. Each individual track comes with a textual analysis and full recording details…The wealth of information presented is both impressive and delightful. Impressive because of the volume of research that must have been undertaken to produce the text and delightful because of the fascinating information delivered to the reader, particularly in the context of the sequencing of the tracks…there is more information here than will often be found in some books purporting to discuss the genre. - Ian McKenzie Blues & Rhythm Breathtaking collection of vintage greats...brilliantly packaged with a detailed 68-page booklet, it’s hard to think of a music fan who wouldn’t want this in their collection. - Terry Staunton Record Collector Hugely entertaining…ease back and luxuriate in the warm flow of mostly black sounds - Geoff Brown Mojo Volume Four Seriously well-presented, this four CD, DVD-sized collection with its thirty page bound-in booklet presents just about as wide a variance of sounds and styles as you could imagine in the years covered and gives full concise background notes to each and every one of the 124 tracks. The cover itself is of durable hard-back material. A hugely enjoyable trawl through the late 50s & early 60s. It would make a very tasty Christmas present for your offspring, which might set them out on a voyage of discovery. I wish I’d have had something like this bought for me when I was just setting out on mine - Tony Watson – Blues & Rhythm A multi-genre, colour-blind, cross-label and highly inclusive collection… delivers a history lesson with a helluva backbeat… Essential music by any measure, in a box set which does it justice and best of all, it rocks like a mother - Elsewhere.co.nz UK postage £4 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Includes fully illustrated 24 page booklet. This 4CD Box Set is a real masterpiece tour de force. With all the background information [...] this is clearly a work of love and [...] damned delicious. Rootstime Seriously well-presented, this four CD, DVD-sized collection with its thirty page bound-in booklet presents just about as wide a variance of sounds and styles as you could imagine in the years covered and gives full concise background notes to each and every one of the 124 tracks. The cover itself is of durable hard-back material. A hugely enjoyable trawl through the late 50s & early 60s. It would make a very tasty Christmas present for your offspring, which might set them out on a voyage of discovery. I wish I’d have had something like this bought for me when I was just setting out on mine. Tony Watson – Blues & Rhythm   Special price for all four box sets 1925-1962 £60 R010 Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Includes fully illustrated 64page booklet. Well what a set this one is… it is not JUST the music that makes it so valuable (I nearly wrote important)…The 64 page booklet (fully illustrated with labels, photos and billboards) is an exemplar of how these things should be done. Each individual track comes with a textual analysis and full recording details…The wealth of information presented is both impressive and delightful. Impressive because of the volume of research that must have been undertaken to produce the text and delightful because of the fascinating information delivered to the reader, particularly in the context of the sequencing of the tracks…there is more information here than will often be found in some books purporting to discuss the genre. Ian McKenzie Blues & Rhythm Breathtaking collection of vintage greats...brilliantly packaged with a detailed 68-page booklet, it’s hard to think of a music fan who wouldn’t want this in their collection. Terry Staunton Record Collector Hugely entertaining…ease back and luxuriate in the warm flow of mostly black sounds. Geoff Brown Mojo A multi-genre, colour-blind, cross-label and highly inclusive collection… delivers a history lesson with a helluva backbeat… Essential music by any measure, in a box set which does it justice and best of all, it rocks like a mother. Elsewhere.co.nz RANDB011   Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • The History of Rhythm and Blues series of CDs brings you the accidental synthesis of jazz, gospel, blues, ragtime, country, pop and Latin into a definable form of black music, which would influence pretty well all popular music from the 1950s to the present. It is the first attempt to put together a cross-label compilation showcasing the most important and influential records in the rise of Rhythm & Blues. Includes fully illustrated 32page booklet. One of the finest box sets released in recent years… the reissue of the year by a country mile -Jeremy Searle, RocknReel It’s difficult to imagine any set doing a better job of tracing the roots of R&B -Steve Leggett, All Music Guide Cross-label set tells story better than anything before…offers wealth of insights into song origins -Johnny Black, Mojo Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Includes fully illustrated 24page booklet. There’s so little on this box set that I wouldn’t be overjoyed to play you… an absolutely essential purchase. Mark Lamarr BBC Radio Two Fellow addicts will already have many of the tracks, but purchasing them again to have them put in the context of blues development should be a joy rather than a hardship.… As a whole package, it is irresistible and should be an essential on the shopping list of all self respecting r’n’b junkies. David Innes R2 The History of Rhythm and Blues 1942-52 is just splendid, it's a labour of love and a work of supreme scholarship, put together by people who obviously care. From boogie men to boppers, hillbilly's to honkers it is beautifully programmed and has polished some dusty old gems into a relevant and modern work of art. Compilations of the music of any genre from history are ten a penny these days, thrown together with little thought for anything bar profit. This is something else, something very special indeed. It realises that recorded music has a place in social history, its own mythology, a narrative and in its four discs and lovingly annotated 68 page book, it tells that story. So as well as the fabulous and joyful music, we get thoughts on the development of radio, the race laws of early 20th century America and the migration of workers, the jukebox phenomenon and even technical information about patterns in the 12 bar blues form. The compilers of this set have created a desirable object every bit as a precious as a memory, as valuable as a necklace, they are heroes of the gramophone, the record player, the cd machine. Just buy it, you won't go far wrong. Ian Clayton Among a plethora of such comps…frankly, it’s probably the best of its kind. Whether you want to learn more about the genre or have been listening for years, this collection leaves others eating its dust. Laith Al-Kaisy Record Collector If you've bought the jewel case version and would like the DVD case and insert, please drop us a line. No charge if you purchase another item from the site
  • See tracklisting for (RANDB010, RANDB041 PLUS R012 6 CDs IN ONE BOX)