CDs

  • Out of stock
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) Includes fully illustrated booklet. RANDB025
  • Out of stock
    Includes fully illustrated booklet. RANDB025
  • Sale!
    Includes fully illustrated booklet. When many of these records were cut I was 4 years old and playing in the rubble of a bombed-out Hull, courtesy of the Luftwaffe. Back then, in the UK, any one of these 111 (yes, 111 even!) tracks would have given the BBC a coronary thrombosis because the nearest we got to black music was the bellowing burnt cork of Al Jolson. Following the previous R&B Anthology sets from R&B Records, I knew I’d be in for more thrills with this and I’m not disappointed, yet restricted wordage here precludes a full ecstatic overview. However - if you thought big strident in-your-face electric guitar chords arrived in the 1960s, check out 1947’s Midnight in The Barrel House by Johnny Otis. And there’s Dizzy Gillespie, Mahalia Jackson and even Hank Williams and Merle Travis. Needing wild, wanton and utterly danceable? You need Fluffy Hunter and Buddy Banks with the manic piano of Fluffy’s Debut. Disc 2 is replete with rare gems too. The sorely neglected Andrew Tibbs pre-empting Jerry Lee Lewis’s Wine Spodey-Odey by over a decade with the rousing Drinking Ink Splink. This is a magical mystery tour with Madam Ira Mae Littlejohn’s boisterous Go Devil Go and even a 1947 Muddy Waters with Gypsy Woman, contrasting nicely with the raucous front porch fiddling of Harry Choates and his Hackberry Hop. By the time you reach disc 3 you feel like you’ve drunk a half bottle of Bourbon. Amos Milburn kicks in with a rolling Chicken Shack Boogie, the sinister, dark and energetic 1948 cut of Hooker’s Boogie Chillen, Nellie Lutcher’s uplifting Fine Brown Frame and the honking saxes of The Twister by Paul Williams, the scintillating acapella harmonies of the Swan Silvertone Singers. Disc 4 boogies along just as agreeably with The Beale Street Gang’s Fat Stuff Boogie, followed by Arthur Smith’s seminal guitar hit, Guitar Boogie, there’s more 1948 Muddy Waters, a bouncy Pettin’ and Pokin’ by Louis Jordan and 20 other delights. This hefty collection curated by Nick Duckett, who also provides the entertaining liner notes, feels like stumbling into a sealed cave of musical pirate treasure; golden nuggets, jewelled crowns, dancing diamonds and rhythmic rubies. Sometimes musical history can jolt you from the terror and torpor of the present and take you to a long forgotten place of joy. That may sound like Pseud’s Corner, but these R&B Anthologies do it for me. Try it - you’ll be well rewarded. ROY BAINTON RANDB024
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) Includes fully illustrated booklet. When many of these records were cut I was 4 years old and playing in the rubble of a bombed-out Hull, courtesy of the Luftwaffe. Back then, in the UK, any one of these 111 (yes, 111 even!) tracks would have given the BBC a coronary thrombosis because the nearest we got to black music was the bellowing burnt cork of Al Jolson. Following the previous R&B Anthology sets from R&B Records, I knew I’d be in for more thrills with this and I’m not disappointed, yet restricted wordage here precludes a full ecstatic overview. However - if you thought big strident in-your-face electric guitar chords arrived in the 1960s, check out 1947’s Midnight in The Barrel House by Johnny Otis. And there’s Dizzy Gillespie, Mahalia Jackson and even Hank Williams and Merle Travis. Needing wild, wanton and utterly danceable? You need Fluffy Hunter and Buddy Banks with the manic piano of Fluffy’s Debut. Disc 2 is replete with rare gems too. The sorely neglected Andrew Tibbs pre-empting Jerry Lee Lewis’s Wine Spodey-Odey by over a decade with the rousing Drinking Ink Splink. This is a magical mystery tour with Madam Ira Mae Littlejohn’s boisterous Go Devil Go and even a 1947 Muddy Waters with Gypsy Woman, contrasting nicely with the raucous front porch fiddling of Harry Choates and his Hackberry Hop. By the time you reach disc 3 you feel like you’ve drunk a half bottle of Bourbon. Amos Milburn kicks in with a rolling Chicken Shack Boogie, the sinister, dark and energetic 1948 cut of Hooker’s Boogie Chillen, Nellie Lutcher’s uplifting Fine Brown Frame and the honking saxes of The Twister by Paul Williams, the scintillating acapella harmonies of the Swan Silvertone Singers. Disc 4 boogies along just as agreeably with The Beale Street Gang’s Fat Stuff Boogie, followed by Arthur Smith’s seminal guitar hit, Guitar Boogie, there’s more 1948 Muddy Waters, a bouncy Pettin’ and Pokin’ by Louis Jordan and 20 other delights. This hefty collection curated by Nick Duckett, who also provides the entertaining liner notes, feels like stumbling into a sealed cave of musical pirate treasure; golden nuggets, jewelled crowns, dancing diamonds and rhythmic rubies. Sometimes musical history can jolt you from the terror and torpor of the present and take you to a long forgotten place of joy. That may sound like Pseud’s Corner, but these R&B Anthologies do it for me. Try it - you’ll be well rewarded. ROY BAINTON RANDB024
  • Sale!
    ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB030 DVD style casing Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    Country blues and club blues; drinking songs and risqué songs; vocal groups and instrumental combos. From bebop to boogie, gutbucket to gospel, honkin’ and screamin’ to low down and dirty rock’n’roll; 112 tracks and not a dud in the bunch! RANDB078 4CD
  • Country blues and club blues; drinking songs and risqué songs; vocal groups and instrumental combos. From bebop to boogie, gutbucket to gospel, honkin’ and screamin’ to low down and dirty rock’n’roll; 112 tracks and not a dud in the bunch! RANDB078 5CD
  • Sale!
    An excellent invitation to this ground-breaking music. Well worth tracking down. Gary Von Tersch Big City Rhythm & Blues R&B records is one of those dedicated labels which just keeps on giving. The first five volumes of this assiduously researched and compiled series have been an utter revelation, opening up corners of R&B history many of us never knew existed. Seeing as the term ‘R&B’ wasn’t invented in 1938, some of us could be forgiven for imagining that the genre we later became familiar with didn’t stretch back past the 1940s. How wrong we’d be. Throughout this amazing collection there’s more great names than you can shake a stick at. Spending an evening in with this quartet of discs and a few beers is a fine way to spend your time - and there are new names here offering new thrills. And all this, before I was born. Those were the days, indeed. Essential listening! Roy Bainton Blues Matters Now here we are really talking about going back to the roots with World War II lurking just around the corner…there is a sense of early rock'n'roll with The Golden Gate Jubilee and Bob Wills…Big Noise From Winnetka with Bauduc & Haggard is really Big Noise with is a stand-up bass that any rockabilly bassist in the world would be jealous of…The raw guitar sound on Blind Boy Fuller’s "You've Got To Move It On" I think will never be recreated... After listening through the collection you should understand how everything is interrelated. How Chuck Berry got his sound and how, among other things, Beatles and Rolling Stones became what they became. A collection of canons in my opinion and a booklet accompanies the records where there is very good info about the artists and the groups. Jonas Andersson American Music Magazine I have listened to almost nothing but this chronology in the past evenings, but I still feel that I have only just been knocking at the door of a rich treasure trove. Famous names and well-known songs are alternated with rare and unexpected tracks on the four CDs. What makes these sets so special is that they are not a dry and dusty exercise in musical archeology. What they present will be a revelation even for the most enthusiastic R & B enthusiast. Eric Schuurmans Rootsville   RANDB047
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) An excellent invitation to this ground-breaking music. Well worth tracking down. Gary Von Tersch Big City Rhythm & Blues R&B records is one of those dedicated labels which just keeps on giving. The first five volumes of this assiduously researched and compiled series have been an utter revelation, opening up corners of R&B history many of us never knew existed. Seeing as the term ‘R&B’ wasn’t invented in 1938, some of us could be forgiven for imagining that the genre we later became familiar with didn’t stretch back past the 1940s. How wrong we’d be. Throughout this amazing collection there’s more great names than you can shake a stick at. Spending an evening in with this quartet of discs and a few beers is a fine way to spend your time - and there are new names here offering new thrills. And all this, before I was born. Those were the days, indeed. Essential listening! Roy Bainton Blues Matters Now here we are really talking about going back to the roots with World War II lurking just around the corner…there is a sense of early rock'n'roll with The Golden Gate Jubilee and Bob Wills…Big Noise From Winnetka with Bauduc & Haggard is really Big Noise with is a stand-up bass that any rockabilly bassist in the world would be jealous of…The raw guitar sound on Blind Boy Fuller’s "You've Got To Move It On" I think will never be recreated... After listening through the collection you should understand how everything is interrelated. How Chuck Berry got his sound and how, among other things, Beatles and Rolling Stones became what they became. A collection of canons in my opinion and a booklet accompanies the records where there is very good info about the artists and the groups. Jonas Andersson American Music Magazine I have listened to almost nothing but this chronology in the past evenings, but I still feel that I have only just been knocking at the door of a rich treasure trove. Famous names and well-known songs are alternated with rare and unexpected tracks on the four CDs. What makes these sets so special is that they are not a dry and dusty exercise in musical archeology. What they present will be a revelation even for the most enthusiastic R & B enthusiast. Eric Schuurmans Rootsville   RANDB047
  • Sale!
    Includes fully illustrated booklet. ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB023
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) Includes fully illustrated booklet. ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB023
  • Sale!
    With 8 page booklet ‘You might think that when you’ve been around for a long time and love music as much as we all do at Blues Matters, that we might become a little blasé receiving CDs to review. You’d be wrong...This is a staggering project, a sheer delight...You can stick a pin in anywhere and come up with a gem of a recording. What these records will present to even the most avid R&B aficionado is a revelation... lifting the lid on a buried treasure chest of arcane recordings, all in a style decades ahead of their time... Every one of these tracks is utterly satisfying. If you’re a true R&B fan, you will not experience a finer collection this year or any other. Exhilarating, educational, historical, but above all, extremely musical, a complete evening’s unforgettable R&B entertainment...Think you know your blues history? Think again. As this has taught me, you’re never too old to learn.’ ROY BAINTON Blues Matters RANDB031 DVD style casing Produced as CD-R (professionally manufactured recordable CD printed for short run) as opposed to CD-P (professionally manufactured pressed CDs made in quantities of 500+). All CDs whether CD-R or CD-P are 100% guaranteed error free. Discs will always be replaced if any problems are encountered.
  • Sale!
    Manchester Free Trade Hall was host to two concerts on Sunday October 21st 1962 that acted as a catalyst to the nascent British Blues & R&B boom, on the verge of breaking out of its suburban home in Ealing, West London. The shows were promoted by Stockport-based Paddy MacKiernan under the Jazz Unlimited banner and attracted a crowd of around two thousand enthusiasts, who saw the first major concert in Britain to feature American bluesmen. Manchester was the only UK date on the 1962 American Folk-Blues Festival tour and it was attended by blues fans from all over the country through what Paul Jones called ‘the bush telegraph’. With Jones were Alexis Korner and Macclesfield-born John Mayall, plus extraordinarily a contingent of younger fans who had made the trip in a clapped out van from London. Why extraordinary? Because the van contained some of the future superstars of the British scene: Mick Jagger, Keith Richards, Brian Jones and Jimmy Page. The Stones by this time had just a dozen gigs under their belts and Page had recently embarked on the first stage of his career as a session guitarist. David Williams dedicates a whole chapter to the road trip in his book The First Time We Met The Blues. “It must have been around early September 1962 when news filtered down the grapevine…We could hardly believe that real blues artists were going to appear here in our country…were regarded somewhat like mystic gods within our circle…(Jimmy Page) realised that he would not be able to make the journey with us as he was already booked to play a gig with Neil Christian on the Saturday night…it was agreed Jim would travel up by train on the Sunday and we would find space for him in the van for the journey back overnight…Graham (Ackers) was a pretty good driver and soon managed to find his way through Central London to a square ...where we picked up Mick, Keith and Brian.” Keith Richards remembers it differently, “Mick sometimes had the use of his parents’ Triumph Herald at the weekend and I remember we went to see a big blues show in Manchester.” Jimmy Page: “When David Williams told me of the impending visit of the initial American Folk-Blues Festival to England, I was keen to join the pilgrimage to Manchester. It was not only the first time that I would actually see artists like John Lee Hooker and T-Bone Walker perform, but it was also the first time I met Mick Jagger, Brian Jones and Keith Richards, who came with us on the trip. We were all like-minded enthusiasts and in those days we regarded the artists we were going to see as idols.” ABC TV filmed the second show and broadcast it in two parts for its Tempo programme. The recordings (from the Newby collection) are of excellent sound quality and were taken off air by direct line into a Tandberg reel to reel recorder. RANDB059
  • Sale!
    (shipped with booklet, bonus disc & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) From the Grosvenor to the Top Ten Club Summer 1960 to Summer 1961 300 Shows in 365 days and nights The Beatles Early Repertoire’s 123 tracks includes 78 songs previously unpublished in the series along with 44 tracks that have appeared on other discs. This set brings together all the songs that were introduced into the newly-named Beatles repertoire during the period when they were a five-piece band with Pete Best on drums and Stuart Sutcliffe on bass. With fully illustrated 24-page booklet. The sound is very good - clean with a period feel for music from this era--typical of releases from this label. The 24 page booklet is stuffed with information on the music, plus period photos, album covers, record labels, and other ephemera which help put the music in better perspective. This is a cool little set of music in one nice, neat box set, for deep Beatles fans interested in what influenced them way back in 1960-61. Even as a collection of different music styles and performers, this is a pretty nice look at music from this era. Stuart Jefferson Amazon RANDB039
  • From the Grosvenor to the Top Ten Club Summer 1960 to Summer 1961 300 Shows in 365 days and nights The Beatles Early Repertoire’s 123 tracks includes 78 songs previously unpublished in the series along with 44 tracks that have appeared on other discs. This set brings together all the songs that were introduced into the newly-named Beatles repertoire during the period when they were a five-piece band with Pete Best on drums and Stuart Sutcliffe on bass. With fully illustrated 24-page booklet. The sound is very good - clean with a period feel for music from this era--typical of releases from this label. The 24 page booklet is stuffed with information on the music, plus period photos, album covers, record labels, and other ephemera which help put the music in better perspective. This is a cool little set of music in one nice, neat box set, for deep Beatles fans interested in what influenced them way back in 1960-61. Even as a collection of different music styles and performers, this is a pretty nice look at music from this era. Stuart Jefferson Amazon RANDB039
  • Sale!
    (shipped with booklet & CD inlays but without jewel case for cheaper airmail and less problems with EU customs) DISC ONE 1950-1957 DISC TWO THE VILLAGE FETE DISC THREE 1958 DISC FOUR THE END OF THE QUARRYMEN Here are the 100 or so songs they are documented as having performed along with a few of their teenage party pieces with which they would entertain family and friends. It is no exaggeration to say that the entire "Beatles Beginnings”series is an important set of historical documents. Even without regard to the Beatles, this is a collection of "Singles of Significance"...The producers of this series pored over Beatles biographies to compile a list of the songs and musicians the Beatles cited and performed. The work behind this set is scholarly...provides an opportunity to get right to the core of the Beatles influences immediately and effortlessly... Buy it, hear it, and appreciate it forever. Malachi Beale With fully illustrated 24-page booklet RANDB022
  • DISC ONE 1950-1957 DISC TWO THE VILLAGE FETE DISC THREE 1958 DISC FOUR THE END OF THE QUARRYMEN Here are the 100 or so songs they are documented as having performed along with a few of their teenage party pieces with which they would entertain family and friends. It is no exaggeration to say that the entire "Beatles Beginnings”series is an important set of historical documents. Even without regard to the Beatles, this is a collection of "Singles of Significance"...The producers of this series pored over Beatles biographies to compile a list of the songs and musicians the Beatles cited and performed. The work behind this set is scholarly...provides an opportunity to get right to the core of the Beatles influences immediately and effortlessly... Buy it, hear it, and appreciate it forever. Malachi Beale With fully illustrated 24-page booklet RANDB022
  • Beatles Beginnings Volume Two: Quarrymen – Rocknroll Volume One: Quarrymen - Skiffle - Country - Western
    Jazz; rock’n’roll; blues; music hall; guitar instrumentals; tin pan alley; rockabilly; dance band; soul; bolero; skiffle; trad; R&B; country; old-time; Broadway; doo-wop; folk; high school pop; Motown – the Beatles’ early influences are so wide-ranging that the Beatles Beginnings series of discs could quite easily pass for an introduction to the history of twentieth century popular music. The first disc in the series Quarrymen One investigates skiffle and the other music that the individual members of the group grew up listening to before rock’n’roll burst on to the scene. The Beatles established a repertoire of over 600 tunes, allowing them to tailor their set to the occasion for jazz clubs, strip clubs, folk clubs, working men’s clubs, church dances and rock’n’roll joints. Almost all of the songs they learned were released in the UK and from 1957 onwards, they avidly followed the weekly music charts and kept up to date with the records that did not make the hit parade. Before naming the Beatles in the summer of 1960, they were the Quarrymen. Quarrymen Two looks at the band’s rock’n’roll influences. For the first six years of their career, the Beatles were essentially a covers band. When they were captured live on tape in two sets at the Star Club in Hamburg in December 1962, they played thirty-two songs, only two of which were their own compositions. Going into 1961, Silver Beatles sees the group broadening out their repertoire to include some of the Latin-influenced ‘uptown R&B’ numbers currently in vogue, along with more rock’n’roll, rockabilly and some gospel-style numbers. This is an excellent compilation of songs…if you have volumes one and two and enjoyed them, this one is even better. Ernie Sutton British Beatles Fan Club Magazine By 1963, they had established an impressive repertoire of over 600 songs; their enthusiasm for popular music of all genres enabled them to play to a wide range of audiences, but in 1961-1962 they were mainly performing at the famous Cavern Club, when they were broadening out to include Latin-influenced songs, uptown R&B and dance craze numbers along with more rock’n’roll, rockabilly and easy listening items. The 5th CD covers the period between Ringo Starr joining the group and the start of Beatlemania in early 1963. It brings together pop, R&B and early soul records that the Beatles had in their live set in 1962. Star Club gives us an accurate picture of what they would have sounded like if we’d been there at the time. Late ‘62 through to mid ‘63, the Beatles’ live set and their recordings consisted mainly of cover versions of contemporary black American pop. A set list from a ten-song show in April ‘63 contained only four of their own songs. Yet by the end of the year, the Fab Four were making history with their own songs. CD 6 contains a mixture of songs taken from their 1963 live set and songs they recorded same year, along with other music that influenced their own compositions at this crucial time. A must for Beatles devotees and for any fan of early sixties pop interested in finding out more about what inspired the group and what shaped their musical sensibility. Alerting all Beatles fans! In fact, alerting anyone with even just a passing interest in music of Twentieth century popular music, for here’s a terrific series of albums they may well want to check out… superbly researched booklets, each volume will delve into the music that inspired, influenced and shaped the Beatles individually and collectively…here’s the very stuff that changed the world and forged the greatest band of all time. As the music rings out … you can almost hear the Beatles metamorphosing inside your ears as they listened, learned and immersed themselves, letting these songs open doors and fire their imagination: there was to be no looking back – an absolute gas. Colin Hall (curator of John Lennon’s house Mendips) The “Beginnings”series strikes again with another spectacular collection of original recordings that in this case inspired or influenced The Beatles… the accompanying booklet has extremely thorough and welcome annotation. I applaud whomever performed the extensive research that resulted in these fascinating choices. Their other series, “How Britain Got the Blues”, is every bit as good (if not better, as each set of this 4-part series is a 2-CD extravaganza of great cuts). Bravo to History of RnB Records for these releases and the outstanding music scholarship that accompanies them. William Stout Available as slimline CD set with annotated 48 page book. Each individual CD has 4 page insert. Produced as CD-R (professionally manufactured recordable CD printed for short run) All CDs are guaranteed error free and will always be replaced if any problems are encountered. Please advise if you require the printed inlays that can be inserted into CD jewel cases.
  • Out of stock
    Jazz; rock’n’roll; blues; music hall; guitar instrumentals; tin pan alley; rockabilly; dance band; soul; bolero; skiffle; trad; R&B; country; old-time; Broadway; doo-wop; folk; high school pop; Motown - the Beatles’ early influences are so wide-ranging that the Beatles Beginnings series of discs could quite easily pass for an introduction to the history of twentieth century popular music. Covering the period 1957-60, the first disc in the series Quarrymen One investigates skiffle and the other music that the individual members of the group grew up listening to before rock’n’roll burst on to the scene. Alerting all Beatles fans! In fact, alerting anyone with even just a passing interest in music of Twentieth century popular music, for here’s a terrific series of albums they may well want to check out... superbly researched booklets, each volume will delve into the music that inspired, influenced and shaped the Beatles individually and collectively...here’s the very stuff that changed the world and forged the greatest band of all time. As the music rings out ... you can almost hear the Beatles metamorphosing inside your ears as they listened, learned and immersed themselves, letting these songs open doors and fire their imagination: there was to be no looking back - an absolute gas. Colin Hall R2 Every baby-boomer whose life has been soundtracked by pop will be more than merely familiar with most of the items here, whether ‘Long Tall Sally', 'Roll Over Beethoven', 'Matchbox', 'Honey Don't' and 'Words Of Love', all revived on disc by The Beatles after they'd left the runway. Almost as potent a selling point is Nick Duckett's entertaining and informative thirty-page essay within a package that is as likely to engross the general cultural historian as much as fans of this particular act. Alan Clayson - The Beat RANDB004
  • Out of stock
    The Beatles established a repertoire of over 600 tunes, allowing them to tailor their set to the occasion for jazz clubs, strip clubs, folk clubs, working men’s clubs, church dances and rock’n’roll joints. Almost all of the songs they learned were released in the UK and from 1957 onwards, they avidly followed the weekly music charts and kept up to date with the records that did not make the hit parade. Before naming the Beatles in the summer of 1960, they were the Quarrymen. Quarrymen Two looks at the band’s rock’n’roll influences. RANDB006
  • Liverpool To Hamburg 1960-1961 For the first six years of their career, the Beatles were essentially a covers band. When they were captured live on tape in two sets at the Star Club in Hamburg in December 1962, they played thirty-two songs, only two of which were their own compositions. Going into 1961, Silver Beatles sees the group broadening out their repertoire to include some of the Latin-influenced ‘uptown R&B’ numbers currently in vogue, along with more rock’n’roll, rockabilly and some gospel-style numbers. This is an excellent compilation of songs...if you have volumes one and two and enjoyed them, this one is even better. Ernie Sutton British Beatles Fan Club Magazine RANDB007
  • Out of stock
    At the start of their career, the Beatles were essentially a covers band. By 1963, they had established an impressive repertoire of over 600 songs; their enthusiasm for popular music of all genres enabled them to play to a wide range of audiences, but in 1961-1962 they were mainly performing at the famous Cavern Club. Part four of the Beatles Beginnings series of CDs, The Cavern Club finds the Fab Four broadening out to include Latin-influenced songs, uptown R&B and dance craze numbers along with more rock’n’roll, rockabilly and easy listening items. A must for any Beatles fans who are interested in finding out more about what inspired them and what shaped their musical sensibility. With fully illustrated 28-page booklet. R003
  • Out of stock
    Part of a series investigating the Beatles’ early influences and the cover songs they loved to perform, this CD covers the period between Ringo Starr joining the group and the start of Beatlemania in early 1963. It brings together pop, R&B and early soul records that the Beatles had in their live set in 1962. A must for any fans who are interested in finding out more about what inspired the Fab Four, Star Club gives us an accurate picture of what they would have sounded like if we’d been there at the time. With fully illustrated 32-page booklet. R004
  • With fully illustrated 24-page booklet Late ‘62 through to mid ‘63, the Beatles’ live set and their recordings consisted mainly of cover versions of contemporary black American pop. I Saw Her Standing There and Ask Me Why were the only two band originals played at the Star Club in December 1962, and a set list from a ten-song show in April ‘63 contained only four of their own songs. Yet by the end of the year, the Fab Four were making history with their own unmistakable sound. This CD contains a mixture of songs taken from their 1963 live set and songs they recorded same year, along with other music that influenced their own compositions at this crucial time. A must for Beatles devotees and for any fan of early sixties pop. The "Beginnings”series strikes again with another spectacular collection of original recordings that in this case inspired or influenced The Beatles... the accompanying booklet has extremely thorough and welcome annotation. I applaud whomever performed the extensive research that resulted in these fascinating choices. Their other series, "How Britain Got the Blues", is every bit as good (if not better, as each set of this 4-part series is a 2-CD extravaganza of great cuts). Bravo to History of RnB Records for these releases and the outstanding music scholarship that accompanies them. William Stout R011